To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Star Wars Visual Effects, from AT-ATs to Tauntauns
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Get an ACES Crash Course with Mixing Light
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Looking for a way into an ACES workflow? Trying to bone up on concepts like IDTs, ODTs, and the ASC CDL? Just want to be ready to speak intelligently when a client asks you about the technology formally known as … more » The post Get an ACES Crash Course with Mixing Light appeared first on Studio Daily.
Moving Pictures: Graphic Design on Screen
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http://blogs.adobe.com/creativecloud/moving-pictur...
Graphic design is everywhere. Last week we looked at professionals whose personal style pushed print projects beyond what the world had seen before. This week, we take our eyes off the page and onto slicker mediums. Movie theaters and TVs have been bringing graphic design work to the masses for decades. Now, it’s rare that we’re without our mobile devices, and an entirely new, totally interactive form of interface has emerged, and continues to evolve. These three notables changed what wa...
Adorama Launches VIP360 Customer Loyalty Prog
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https://www.aotg.com/adorama-launches-vip360-customer-loyalty-prog/
Access exclusive benefits when shopping today’s top photo, video and electronics gear, including free two-day delivery, extended warranty, members-only events and much more
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November 1, 2016, 12:31 PM
http://www.screeneditors.com.au/2016-ellie-award-n...
NOMINEES FOR THE 2016 ASE ELLIE AWARDS Best Editing in a Drama Feature Ken Sallows ASE - A Month of Sundays Karryn de Cinque - Girl Asleep Tania Michel Nehme - Tanna Veronika Jenet ASE - The Daughter Best Editing in a Drama non-feature Angie Higgins - Molly – Part 1 Cindy Clarkson - Restoration […]
Rolling through the season like
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http://renderplease.com/post/152600200095
XYZ to Rec709
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http://24p.com/wordpress/?p=340
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https://www.aotg.com/audio-techniques-for-going-pro-field-mixers/
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Pliant Technologies Appoints Canadian Distributor
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https://www.aotg.com/pliant-technologies-appoints-canadian-distributor/
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#pliant technologies#crewcom#intercoms#wirelessVideo Devices Gives Versatility to Michael Larsson
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https://www.aotg.com/video-devices-gives-versatility-to-michael-larsson/
Design and Functionality of 4K Recording Monitor Puts Creativity at the Forefront for Video Professionals
#video devices#pix-e7
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