To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Review: Tangent Ripple color correction panel

October 20, 2016, 12:25 PM

http://postperspective.com/review-tangent-ripple-c...

By Brady Betzel Lately, it feels like a lot of the specializations in post production are becoming generalized and given to the “editor.” One of the hats that the editor now wears is that of color corrector — I’m not saying we are tasked with color grading an entire film, Continue reading →October 20, 2016

Work With All Maya Constraints in One Place

October 20, 2016, 12:25 PM

http://lesterbanks.com/2016/10/work-maya-constrain...

If you work with Maya constraints a lot, you might want to have a look at Mehdi Farrokhtala’s Master Constraint tool. Written in Python, Master Constraint Tool offers a way to streamline your workflow, housing all of the Maya constraints and their most used Flags all in one place. The tool also comes with 2 The Post Work With All Maya Constraints in One Place originally appeared and published on %%BLOGLINK%,by lesterbanks

Being An Advertising Editor

October 20, 2016, 12:24 PM

https://blogs.creativecow.net/blog/14388/being-an-...

In a post production filled world teeming with editors working on TV, film, sports, live shows and even the news, there are many in-house editors working on a huge range of less visible work. From commercial spots to web pre-rolls or even internal pitch reels, there is a rapidly expanding role of “staff editor” in markets all across America.

Sound Devices Brings Glee to Phillip Palmer, CAS

October 20, 2016, 11:33 AM

https://www.aotg.com/sound-devices-brings-glee-to-phillip-palmer-cas/

PIX 260i Rack-Mount Recorder's Dante I/O Capabilities Provide Time-Saving and Cost-Effective Workflow Solution

#sound devices
Dashwood 360VR New Feature Preview – Stabilizati

October 20, 2016, 10:06 AM

http://www.dashwood3d.com/blog/dashwood-360vr-new-...

If you have attended one of Dashwood’s recent event presentations at IBC (Amsterdam) or Profusion (Toronto) you have seen some cool new features currently in beta. Some of the new features include 360 stabilization from external AE trackers, direct support … Continue reading →

Pro Sound Effects Sponsors 72 Film Fest

October 20, 2016, 10:05 AM

http://www.prosoundeffects.com/blog/pro-sound-effe...

The winner of the Best Sound Award received 50 downloads for the Pro Sound Effects Online Library ($250 value). The 72 Film Fest is an annual time-based film competition where teams have 72 hours to make a movie. Based just outside the DC/Baltimore metropolitan area, 72 Film Fest inspires and challenges ... The post Pro Sound Effects Sponsors 72 Film Fest appeared first on Pro Sound Effects Library.

Encuentro de la comisión directiva de EDA con Wal

October 20, 2016, 10:05 AM

http://edaeditores.org/encuentro-de-la-comision-di...

El lunes pasado, la comisión directiva de la Asociación realizó un encuentro coloquial con Walter Murch. El destacado editor y diseñador de sonido, autor del libro En un parpadeo (2001) y Ganador del premio Oscar a mejor montaje por El paciente inglés (1997) y a mejor sonido por Apocalipsis Now (1979), se encuentra de visita en […]

La SAE entregará el Premio al Mejor Montaje en el

October 20, 2016, 10:05 AM

http://saeditores.org/Novedades/La-SAE-entregara-e...

La SAE entregará un Premio al Mejor Montaje en el Segundo Festival Internacional de Cine de las Tres Fronteras, que se llevará a cabo entre el 29 de octubre y el 5 de noviembre en Puerto Iguazú, Misiones. El jurado, integrado por Marcela Truglio (SAE), Paola Amor (SAE) y Andrés Tambornino (SAE), elegirá al ganador entre las películas argentinas de la Competencia Oficial de Largometrajes de Ficción.

Infecting Points in Houdini With VEX

October 20, 2016, 10:05 AM

http://lesterbanks.com/2016/10/infecting-points-ho...

Fifty50 (Formerly CreativMotion) posts a look at creating a really cool effect infecting points using Side FX Houdini, VEX and the Solver SOP. Infected points can infect other points in the vicinity. The effect will have some points take over, or “infect” other points and spread to the next nearest points, until all the points have been taken over The Post Infecting Points in Houdini With VEX originally appeared and published on %%BLOGLINK%,by lesterbanks

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