To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Making a late-night decision and a producer asking

October 19, 2016, 02:44 PM

http://renderplease.com/post/152027561000

I’m like:And left multiple voicemails AND emailed you

The sounds of Brooklyn play lead role in HBO’s H

October 19, 2016, 02:44 PM

http://postperspective.com/the-sounds-of-brooklyn-...

By Jennifer Walden New Yorkers are jaded, and one of the many reasons is just about anything they want can be delivered to right to their door: Chinese food, prescriptions, craft beer, dry cleaning, weed. The latter delivery option is the sole occupation of “The Guy,” the protagonist of HBO’s new series High Maintenance. Continue reading →October 19, 2016

Premiere Pro Workflow Tutorial: Editing 4K on a sl

October 19, 2016, 02:43 PM

http://www.videoguys.com/blog/premiere-pro-workflo...

Slow computers and 4K video editing doesn’t go together. But there’s an option in Premiere Pro that creates low resolution proxies in a very fast workflow. Read More: If you buy a new camera these day, chances are pretty big it can shoot 4K. A wonderful and super sharp resolution that we must embrace. But Read More The post Premiere Pro Workflow Tutorial: Editing 4K on a slow computer appeared first on Videoguys Blog.

Next Limit Technologies RealFlow and Maxwell join

October 19, 2016, 02:43 PM

http://www.thinkboxsoftware.com/news/2016/10/14/ne...

Next Limit Technologies RealFlow and Maxwell are now availalbe on demand via the Thinkbox Store! RealFlow fluid simulation software and the Maxwell visualization rendering toolkit can now be purchased per-minute, offering artists, designers and architects the flexibility to easily scale as projects demand. RealFlow is a fluid and dynamics simulation tool for the 3D and visual effects industry, developed by Next Limit Technologies to simulate fluids, water surfaces, fluid-solid interactio...

Interview with G-Tech about the New Atomos Master

October 19, 2016, 02:43 PM

http://www.videoguys.com/blog/46954-2/

David Shapton from Red Shark interviewed G-Technology’s Greg Cosby about the new Atomos Master Caddy and the RED Mini Mag workflow. Don’t miss this interview here! G-Technology now makes Atomos Master Caddys and supports RED storage media [Video] David Shapton from RedShark interviews G-Technology’s Greg Crosby about the new Atomos Master Caddy and the RED Read More The post Interview with G-Tech about the New Atomos Master Caddy and the RED Mini Mag workflow appeared first on Videogu...

Sean Devereaux - VFX Supervisor & Co-founder

October 19, 2016, 02:43 PM

http://www.artofvfx.com/the-magnificent-seven-sean...

I’ve had the opportunity to work on upwards of 50 films. Today, I am lucky enough to be the Co-founder and Creative Director of ZERO VFX. I have always been passionate about telling stories, and this role affords me the opportunity to do that as well as help artists and filmmakers harness their talents to create work that matters.

How to Make AE Faster With Proxies

October 19, 2016, 02:43 PM

https://www.rocketstock.com/blog/after-effects-mad...

Adobe’s After Effects is a powerful program. Its capabilities to work with 3D motion, hundreds of layers, and 4K footage means that it needs a powerful computer to process the data for everything it’s trying to do. Not everyone has the luxury of working on the most recent top-of-the-line machines. However, there are ways to work within the program to make it faster and more efficient.

We're One Step Closer to Ultimate Sound Calibratio

October 19, 2016, 02:42 PM

http://nofilmschool.com/2016/10/razer-buys-thx-cal...

Gaming computer manufacturer Razer has bought the technical certification company THX, famous for its "deep note" trailer and dedication to picture and audio quality.

What resolution should I master my DCP in?

October 19, 2016, 01:53 PM

https://thedcpmaster.com/2k-4k-dcp-resolution/

Wondering if you should master in 2K or 4K? The DCP specification has two official resolutions: “2K” and “4K”. The majority of films shown in theatres currently are in 2K. In most cases you should create your DCP to match the resolution of the master version of your film. 2K will be your likely best bet if the file (or videotape) source image is 2048 x 1080 (or less). 4K will be a better option for any native size higher than that.

#dcp#4k#2k#kdm#encryption

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