To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

ONSIGHT Drives its Mistika Colour and Finishing Su

April 30, 2014, 07:53 PM

http://news.creativecow.net/story/875596

(London, United Kingdom--April 30, 2014) The Precision Grading Panel for SGO Mistika has proven to be a big hit at the National Association of Broadcaster's Convention (NAB) in Las Vegas this April. Within hours of the show opening, pioneering London facilities company ONSIGHT placed an order for two Precision...

Behind the scenes with colorist Thomas Bergman

April 30, 2014, 12:38 PM

http://blogs.adobe.com/movingcolors/2014/04/30/beh...

Recently Adobe TV posted a beautiful video created by Thomas Bergman of Silbersalz Film, a production company located in Stuttgart, Germany. The film is one of my all-time favorites: their production quality is stunning. Their work illustrates the impact of  “creative looks” on moving images, and shows the range of a professional color grading application for shaping narrative visually. Needless to say, I am proud that the company is an all-Creative Cloud, all-SpeedGrade post...

10 Years of SpeedGrade: Interview with Patrick Pal

April 30, 2014, 07:41 AM

http://blogs.adobe.com/movingcolors/2014/04/30/10-...

2013 marked the 10th anniversary of SpeedGrade. Last November in Munich, the city where SpeedGrade was born, we held a special event to make the occasion. We were joined by lots of old friends and new users at the fabulous ARRI Cinema where we watched a some great technical and artistic presentations. SpeedGrade on the marquee at the famous ARRI Kino in Munich, Germany. The whole SpeedGrade team was there – a feat, considering we’re spread all over Europe and North America. Almos...

Dolby Vision HDR System Gains Traction with SGO Mi

April 29, 2014, 07:40 PM

http://www.studiodaily.com/2014/04/dolby-vision-hd...

4K was the buzzword at NAB, but even as the industry marched toward ever-higher resolution for acquisition, Dolby Laboratories was making inroads with another approach to the pixel problem. In the weeks leading up the show, FilmLight announced that it … more »

Using Adobe Speedgrade CC In Your Post Production

April 29, 2014, 04:01 PM

http://www.premiumbeat.com/blog/using-adobe-speedg...

Make the most of Adobe Speedgrade CC by incorporating its color correction and grading capabilities into your post production workflow.

A Quick How To: Colour Grading With DaVinci Resolv

April 29, 2014, 07:47 AM

http://cinescopophilia.com/a-quick-how-to-colour-g...

Ruan Lotter from Tunnelvision TV has put up a nice little tutorial about colour grading basics using Blackmagic Design DaVinci Resolve.

Fixing missing database errors in DaVinci Resolve

April 28, 2014, 03:50 PM

http://www.digitalrebellion.com/blog/posts/fixing_...

Upon launching DaVinci Resolve you may see the following error:"Resolve did not locate a compatible or upgradable database."Clicking past it shows an empty project view.There are several possible causes including database corruption but a common one is caused by your PostgreSQL database being too large. This can cause PostgreSQL to request more shared memory than is allowed by OS X or Linux.To determine the exact error on OS X, you can launch the Start Server app in your /Applications/Post...

Adobe Speedgrade Patrick J. Palmer NABShow 2014

April 28, 2014, 07:35 AM

http://blog.iamfilmguy.com/2014/04/adobe-speedgrad...

I got a chance to speak with Patrick J. Palmer Senior Project Manager of Professional Video and Audio in the Adobe Booth at NabShow 2014 about some of the exciting new features in Speedgrade and how it's Direct Link updates directly in Premiere Pro..! Check out the video below for a more in depth look..!

Coming Soon: Blackmagic DaVinci Resolve 11

April 25, 2014, 06:41 AM

http://www.toolfarm.com/blog/entry/coming_soon_bla...

The new version of DaVinci Resolve is expected to be available sometime in June 2014 and a free update to current owners of DaVinci Resolve. Here’s a peek at what you can expect.

The RedShark interview with Grant Petty, CEO of Bl

April 25, 2014, 06:40 AM

http://www.redsharknews.com/business/item/1640-the...

He's the CEO of the most talked-about company in the industry. His NAB booth is the size of an airport terminal. He doesn't give many interviews. How does the mind behind Blackmagic Design work? Dave Shapton finds out Grant PettyBlackmagicUrsaStudio CameraNABNAB 2104

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