To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Hablando con Jacques Comets en la EICTV

October 4, 2016, 07:02 PM

http://editorunderconstruction.blogspot.com/2016/1...

Jacques Comets, montador francés con larga trayectoria en el mundo del cine y a su vez encargado del departamento de montaje de la FEMIS [Escuela nacional superior de los oficios de la imagen y el sonido, en París], impartió clases en la EICTV [Escuela Internacional de Cine y Televisión de San Antonio de los Baños] el pasado mes de junio de 2016. Fue entonces cuando tuve la ocasión de conversar con él y hacerle unas preguntas sobre su carrera y sobre el montaje para publicar en EUC [E...

Interview With Brian Raush: Motion Capture For Fil

October 4, 2016, 07:01 PM

https://www.digimediapros.com/interview-with-brian...

Motion Capture, or mocap as it is known in the filmmaking industry, is the technique of digitizing the movement of people, animals or objects. In this episode of the Digimedia Pros Podcast, Marcelo Lewins speaks with Brian Raush, from House Of Moves, all about motion capture. Learn what motion capture is, what you need to know to become a mocap artist, how mocap is used in indie filmmaking, plus much more.

Alejandro Carrillo Penovi (SAE) y Pablo Trapero ob

October 4, 2016, 07:01 PM

http://edaeditores.org/alejandro-carrillo-penovi-s...

La Asociación de Cronistas Cinematográficos de la Argentina entregó anoche, durante una ceremonia realizada en la Sala Argentina del Centro Cultural Kirchner y transmisión en vivo de la TV Pública, los Premios Cóndor de Plata que en su 64 edición reconoció a las mejores películas argentinas estrenadas en la temporada 2015. El galardón a Mejor […]

How to Make a Sound Reverb Out

October 4, 2016, 07:01 PM

http://www.derek-lieu.com/2016/10/03/how-to-make-a...

Sometimes you need a sound effect or piece of music to reverb out. It could be a scream in a horror trailer, or something else that reverbs out over a cut to black. More commonly I use it when I want a piece of music I’m editing to end on a specific note to create a stop down moment in a trailer. Mostly it just gives me more options for editing music for trailers

Miller Helps Triumph Over Tragedy Foundation

October 4, 2016, 12:55 PM

https://www.aotg.com/miller-helps-triumph-over-tragedy-foundation/

Miller Helps Create Inspirational Stories to Spread Spinal Cord Injury Awareness

#miller camera support
iZotope intros mixing plug-in Neutron at AES

October 4, 2016, 12:42 PM

http://postperspective.com/izotope-intros-mixing-p...

iZotope was at last week’s AES show in LA with Neutron, their newest plug-in, which is geared toward simplifying and enhancing the mixing process. Neutron’s Track Assistant listening your audio and recommending custom starting points for tracks. According to iZotope, analysis intelligence within Neutron allows Track Assistant to automatically detect instruments, Continue reading →October 4, 2016

In Depth Review of mocha Pro 5 for Adobe

October 4, 2016, 12:41 PM

http://www.videoguys.com/blog/depth-review-mocha-p...

Adobe After Effects and Premiere Pro editors – take a look at this mocha Pro 5 plug-in review by Tobias Gleissenberger. He goes into great detail about the new features of this award-winning planar tracking and VFX software. Get the mocha Pro plug-in here. From CreativeCow Imagineer mocha Pro 5 Plug-in for Adobe brings all Read More The post In Depth Review of mocha Pro 5 for Adobe appeared first on Videoguys Blog.

EPICOLOR

October 4, 2016, 12:41 PM

https://fxfactory.com/blog/effects-2/epicolor/

Completely automatic primary color correction to Final Cut Pro and Motion.

Adding Hidden Watermarks in FCP X

October 4, 2016, 12:40 PM

https://www.aotg.com/adding-hidden-watermarks-in-fcp-x/

In this episode of MacBreak Studio, Steve shares a quick tip for adding watermarks to clips, without permanently modifying the original footage.

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