To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Celebramos el tercer aniversario de EDA y renovaci
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http://www.edaeditores.org/entrevista-con-pau-atie...
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Working with Vector Graphics in FCPX
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https://www.aotg.com/working-with-vector-graphics-in-fcpx/
In this episode of MacBreak Studio, Mark Spencer shares some tips on how to work with Vector graphics in Final Cut Pro X.
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https://www.aotg.com/ibc-2016-filmlights-martin-tlaskal/
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IBC 2016: AJA's Bryce Button
September 20, 2016, 12:26 PM
https://www.aotg.com/ibc-2016-ajas-bryce-button/
At IBC 2016 in Amsterdam, AJA Video's Bryce Button runs us through what was new for the show and touches on HDR workflows as well.
Refine The Speed of Camera Moves in C4D With a Tim
September 20, 2016, 12:26 PM
http://lesterbanks.com/2016/09/refine-speed-camera...
Camera moves take time to sort out. If you want those silky-smooth camera moves, you’re going to have to spend some time in a graph editor. However that doesn’t necessarily mean that you need to be endlessly manning multiple curves to get what you need. How else can it be done? Well, according to Freelance The Post Refine The Speed of Camera Moves in C4D With a Time Track originally appeared and published on %%BLOGLINK%,by lesterbanks
Whenever someone calls me to tell me they lost the
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Veteran Sound Mixer Claudia Katayanagi Brings Soun
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http://www.broadcastbeat.com/veteran-sound-mixer-c...
SAN FRANCISCO, SEPTEMBER 20, 2016 — Claudia Katayanagi has had a long career in sound mixing and recording that has taken her on location with HBO documentaries, including the acclaimed Food, Inc., Crude and Paradise Lost 3: Purgatory, PBS’ Frontline, and the BBC’s arts-focused Imagine series. She has also made dozens of programs for San ...
Adobe Starts Integrating Stock Submissions with Cr
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http://www.studiodaily.com/2016/09/adobe-starts-in...
Adobe today debuted a new portal to Adobe Stock, allowing users to upload photos and videos to the service via a website or from within Creative Cloud applications. Adobe said contribution has been enabled only in Lightroom and Bridge, but suggested that … more » The post Adobe Starts Integrating Stock Submissions with Creative Cloud appeared first on Studio Daily.
15 Rare Color Photos Of Walt Disney
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http://www.cartoonbrew.com/disney/15-rare-color-ph...
The Disney studio of the Thirties through the Fifties is a magical bygone era, far from perfect but utterly unique in the level of craftsmanship and drive for quality exhibited by the artists who worked there. That atmosphere was created entirely by one individual: the company’s namesake, Walt Disney.
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