It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 31, 2014, 01:34 PM
http://blogs.adobe.com/movingcolors/2014/03/31/spe...
The SpeedGrade CC (7.2.1) update will be released today. This update focuses on bug fixes for the Direct Link workflow and extends GPU support and GPU user setting options. SpeedGrade CC (7.2.1) will be available for download via the Creative Cloud desktop application. As a rule, updates appear in the Creative Cloud desktop application within 24 hours of being made available. If you are checking for updates in the Creative Cloud desktop application, and they don’t appear, restarting the ...
March 31, 2014, 01:33 PM
http://blogs.adobe.com/creativecloudenterpriseupda...
This update provides a number of critical fixes.
March 31, 2014, 07:53 AM
http://moviesincolor.com/post/81247384839/federico...
Federico Fellini Week 8 1/2, 1963
March 29, 2014, 12:36 PM
http://cinescopophilia.com/livegradepro-2-0/
One of the new features is the LiveGrade Pro Remote iOS app. Now you are able to control LiveGrade Pro while being away from the computer with an iOS device. Apply grades from the library, bypass grades, show the original signal and apply False Color at a glance.
March 29, 2014, 12:35 PM
http://nofilmschool.com/2014/03/color-correction-t...
In the process of narrative filmmaking, a talented cinematographer can achieve the desired aesthetic through closely controlling the characteristics of light, color, and composition. In these cases, color correction shouldn’t really be needed (although a creative grade can certainly take the image to another level). In documentary filmmaking, however, where many of the images are captured sporadically as the action unfolds (which can very easily lead to mismatched footage), the process of crea...
March 28, 2014, 03:21 PM
http://moviesincolor.com/post/80990103638/federico...
Federico Fellini Week Roma, 1972
March 28, 2014, 07:40 AM
http://www.sgo.es/2014/03/mamba-fx-on-mac-coming-s...
Taking the industry by storm and due to popular demand, SGO will soon launch its new open node-based compositor MAMBA FX on MAC. As aRead more...
March 27, 2014, 03:32 PM
http://news.creativecow.net/story/874977
(London, United Kingdom--March 27, 2014) Hollywood post-production facility EFILM—a Deluxe Media Creative Services company and a long-time innovator in digital intermediate technology—has added to its toolset by installing a Baselight colour grading suite from FilmLight.
March 27, 2014, 07:44 AM
http://wolfcrow.com/blog/how-to-chroma-key-in-adob...
Brett Young shows us how to chroma key in Adobe Premiere Pro...
March 26, 2014, 07:17 PM
http://www.studiodaily.com/2014/03/inhabiting-wes-...
Wes Anderson's The Grand Budapest Hotel is a welcome respite after this long winter: the film's eternal spring pinks and yellows explode on the screen like an overstuffed bag of cake icing. Yet inside this treasure box—with the detailed and … more »
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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