It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 2, 2016, 05:45 AM
http://editstock.com/blogs/all/alternative-to-film...
Not everyone decides to go to film school, obviously. There are a number of perfectly good reasons for that too; the cost, the relocation, the relatively low chance an employer will ask for it. But deciding not to go to film school doesn't mean you don't have to work hard, practice, and solicit feedback on your work - whatever the department you want to work in. In his recent article An Alternative Film School For Editors, editor Jonny Elwyn gives you his recipe for a long editing car...
September 2, 2016, 05:45 AM
http://www.broadcastbeat.com/9th-annual-amsterdam-...
SuperMeet highlighted by the making of “Pure McCartney VR” and “Giant,” a virtual reality experience inspired by real events The agenda has now been set for the Ninth Annual Amsterdam SuperMeet, to take place during IBC2016 on Sunday, 11 September at the Hotel Krasnapolsky in the heart of Amsterdam, NL. The agenda will feature presentations ...
September 2, 2016, 05:44 AM
http://renderplease.com/post/149796583005
I’m like:
September 2, 2016, 05:44 AM
https://www.aotg.com/nine-lives-vfx-breakdown-by-edi/
EDI have released this VFX breakdown about their work on NINE LIVES...
September 2, 2016, 05:44 AM
http://www.3dtotal.com/interview/869-interview-wit...
Paul Braddock is a seasoned VFX artist with 14 years' experience, currently working full-time for Animal Logic in Sydney, where he has worked since 2002. His role there varies from project to project, switching between production and development work. Outside of his position at Animal Logic, he stays active in his own personal projects, which recently have revolved around 3D printing.
September 1, 2016, 12:28 PM
http://www.broadcastbeat.com/bluefish444-announces...
Bluefish444, manufacturer of the industry’s highest-quality uncompressed 4K/2K/HD/SD SDI video cards, announces Fluid IngeSTore version 1.1, obtainable free from the Bluefish444 website. IngeSTore v1.1 will be available shortly after IBC 2016. IngeSTore is Bluefish444’s free multi-channel capture software compatible with all Bluefish444 video cards. It captures multiple simultaneous channels of SD/HD/3G SDI to popular media ...
September 1, 2016, 12:28 PM
http://postperspective.com/fusefx-moves-la-headqua...
Ten-year-old FuseFX, which was founded by VFX supervisor David Altenau, has moved its headquarters to a new 27,000-square-foot facility in the Sherman Oaks area of Los Angeles. The two-building campus can accommodate FuseFX’s 150-person onsite staff and features a 10-gigabit infrastructure capable of managing 4K media and other large data files in realtime; Continue reading →September 1, 2016
September 1, 2016, 12:28 PM
http://www.studiodaily.com/2016/09/editshare-tells...
Basingstoke, UK – August 30, 2016 – EditShare will make IBC2016 the official launch pad for its brand new Flow Story, a professional fast-turnaround, remote editing application. A module of the EditShare Flow media asset management solution, Flow Story offers … more » The post EditShare Tells Its Flow Story at IBC2016 appeared first on Studio Daily.
September 1, 2016, 12:27 PM
http://morganloomis.com/2016/august-tool-color-con...
This month’s tool compliments last month. In a recent Maya update Autodesk added support for coloring curves with RGB values, rather than the limited color index. This tool is an interface for coloring a range of controls while gradually changing the color as it goes along. This can be nice for long tails or tentacles which have lots of consecutive controls.
September 1, 2016, 10:01 AM
http://www.commandeditpodcast.com/blog/rise-of-the...
We welcome editor Erik Swanson on the show, who recently completed work on his first feature length credit: Rise of the Sufferfests, a documentary that explores the rising trend of OCR (Obstacle Course Racing). You may have heard me talk about OCR occasionally as it's become an obsession of mine in the past year. If you've heard of Tough Mudder, Spartan races or anything similar then you've probably thought one of two things: 1) "That sounds like fun!" or 2) "Why do people actually do this??"
#film editing#documentary#video editing#interview#rise of the sufferfests#erik swanson
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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