To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

FuseFX moves into new LA studio

September 1, 2016, 09:32 AM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — Visual effects studio FuseFX (http://fusefx.com) has moved its headquarters to a 27,000-square-foot facility on Califa Street in the Sherman Oaks area of Los Angeles. Comprising two contiguous free-standing structures, the new site can accommodate the company’s current 150-person staff. The new headquarters is home to four screening rooms and features a 4K infrastructure, dedicated broadband connections to the company’s operations in New York and Vancouver, and room for f...

Making The Cut: Úna Ní Dhonghaíle Talks Creativ

September 1, 2016, 09:32 AM

https://www.aotg.com/making-the-cut-una-ni-dhonghaile-talks-creativ/

With recent credits including The Missing, The Crown and Ripper Street, Úna Ní Dhonghaíle is one of the pre-eminent TV drama editors of the age. But she is also active in documentary and animation, and says that in particular her earlier work on “creative documentaries” helped to shape her subsequent dramatic work.

Lettre à celle qui m’a fait aimer les jump cut

September 1, 2016, 09:31 AM

https://journaldunemonteuse.wordpress.com/2016/09/...

Tu avais lu mon livre (cf : je n’aime pas les jump cut) et pourtant, toi qui les adore, tu m’as dit allons-y. En douceur, tu m’as fait tailler les plans, les retailler, les re-retailler, et j’ai monté en jump … Lire la suite →

The MEWShop Interview: Editor Andrew Hafitz

September 1, 2016, 09:31 AM

http://manhattaneditworkshop.blogspot.com/2016/09/...

Anna Gunn in EquityIn Equity, the new woman-centric Wall Street potboiler from director Meera Menon and production company Broad Street, shot after shot and cut after cut line up to reinforce a feeling of suffocating isolation. This is by design, according to editor Andrew Hafitz. The film, which follows investment banker Naomi Bishop (Anna Gunn) through a scandal-plagued tech IPO, is shot and cut with a cold, nearly clinical eye. From the first frames, the entire film seems intent on distan...

Monthly Topic: Failure

September 1, 2016, 09:31 AM

http://designingsound.org/2016/09/monthly-topic-fa...

Failure can be scary. As artists and designers, we encounter failure regularly. At the worst of times it can even deter us from trying. How can we push past failure and come out smarter and stronger? You build on failure. You use it as a stepping stone. Close the door on the past. You don’t try […]

New EditShare Flow MAM Update Automates QC, File T

September 1, 2016, 09:31 AM

http://www.broadcastbeat.com/new-editshare-flow-ma...

Features core engine improvements, new fast turnaround remote editing application, and automated workflows with Amazon, Aspera, Interra Baton and Vidcheck Basingstoke, UK – September 1, 2016 – EditShare, a technology leader in intelligent shared storage and media management solutions, today announced a new release of its Flow Media Asset Management platform (v3.3.0.3). In addition to enhanced core ...

Inside the AFI Faculty Revolt

September 1, 2016, 09:30 AM

http://www.hollywoodreporter.com/news/inside-afi-f...

As Jan Schuette begins his third year as head of Hollywood's elite film school, he faces a divided faculty and questions over new policies as players on both sides of a divided campus reveal the root of the stalemate.

Anne V. Coates to Get Honorary Oscars

September 1, 2016, 09:30 AM

http://www.hollywoodreporter.com/news/jackie-chan-...

The Academy of Motion Picture Arts and Sciences will bestow honorary awards this year on Jackie Chan, film editor Anne V. Coates, casting director Lynn Stalmaster and doc filmmaker Frederick Wiseman.

New EditShare Flow MAM Update

September 1, 2016, 07:08 AM

http://www.editshare.com/press/pr-flow-3rd-party

EditShare today announced a new release of its Flow Media Asset Management platform (v3.3.0.3). In addition to enhanced core capabilities such as automated batch import of sidecar metadata and server-to-server file transfers, the Flow release boasts a brand new, fast-turnaround editing application as well as integration with Amazon (distribution to Amazon S3), Aspera (file transfer), Interra Baton (QC) and Vidcheck (QC), expanding cloud-based production and automated workflow options.

#ibc#shared storage#mam#remote editing#cloud based production

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