To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Jurassic Park - Pushing The Limits of VFX
August 17, 2016, 06:02 AM
https://www.aotg.com/jurassic-park-pushing-the-limits-of-vfx/
A look at the cinematic masterpiece that changed the visual effects landscape.
Creating the Stranger Things Title Open in Motion
August 17, 2016, 06:02 AM
https://www.aotg.com/creating-the-stranger-things-title-open-in-motion/
In this episode Mark Spencer turns it up to Eleven, and recreates the title sequence from the awesome Netflix original Stranger Things. For more information about the titles check out the links below...
Taking VR audio workflows to Mars and beyond
August 16, 2016, 04:24 PM
http://postperspective.com/taking-vr-audio-to-mars...
Source Sound is collaborating with others and capturing 360 sound for VR environments. By Jennifer Walden Everyone wants it, but not everyone can make it. No, I’m not talking about money. I’m talking about virtual reality content. Let’s say you want to shoot a short VR film. Continue reading →August 16, 2016
EditFest – Cult Classics
August 16, 2016, 04:24 PM
https://americancinemaeditors.org/editfest-cult-cl...
Hollywood Reporter, August 07, 2016 9:55am PT by Carolyn Giardina EditFest: ‘Terminator,’ ‘Beetlejuice’, ‘Heathers’ Editors Recall Cutting Cult Classics “On
EditFest London Photos 2016
August 16, 2016, 04:24 PM
https://americancinemaeditors.org/ef-london-photos...
EditFest London Photos 2016 View all Editfest London 2016 photos at: https://www.facebook.com/tiltphoto/photos/?tab=album&album_id=1107871549292782
This AR App Could Make instant CGI a Reality
August 16, 2016, 04:23 PM
https://www.inverse.com/article/19796-inside-pinsc...
ugmented reality and face swapping seem to be hot candidates for the next mobile apps; just look at Facebook’s purchase of MSQRD or Snapchat’s acquisition of Looksery. But one AR startup called Pinscreen, currently backed to the tune of $1.8 million from Lux Capital and Colopl VR Fund, is looking to do things differently in this area. Inverse spoke exclusively to Pinscreen founder Hao Li about what might be coming soon from this secretive company.
Sausage Party Animators Feud With Nitrogen
August 16, 2016, 04:23 PM
http://www.indiewire.com/2016/08/sausage-party-ani...
The new adult animated film “Sausage Party,” starring Seth Rogen and Kristen Wiig, opened in theaters last Friday to positive reviews and a great box office performance, grossing over $36 million against a $19 million budget. Much has been made about how directors Greg Tiernan and Conrad Vernon made an CG animated film on such a low budget, but animators are alleging that an oppressive production schedule and intimidation tactics played a part in the film’s success.
How Dolby Atmos Uses the Video Devices PIX 270i to
August 16, 2016, 01:30 PM
https://www.aotg.com/how-dolby-atmos-uses-the-video-devices-pix-270i-to/
To provide these amazing audio experiences with powerful, flexible capture and manipulation, Dolby turned to the Video Devices PIX 270i rack-mount recorders, deploying multiple units to manage audio and video acquisition.
My Best Friend's Wedding (1997)
August 16, 2016, 12:29 PM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“The misery, the exquisite tragedy. The Susan Hayward of it all.” — George Downes ...
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