It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 22, 2014, 05:57 AM
http://www.definitionmagazine.com/journal/2014/1/2...
DCA (Digital Colour Association) is a new group made up of Colourists, Digital Image Technicians, Colour scientists and a couple of editors. Asa Shoul, a senior colourist at Molinare in London has been one of the founders of the group, “The idea was basically with the advent of more digital cameras and the need for on-set monitoring or LUTs that we all try and get together to try and share some information and find some common ground.
January 22, 2014, 05:57 AM
http://moviesincolor.com/post/74137755162/francois...
Francois Truffaut Week Small Change, 1976...
January 20, 2014, 05:47 AM
http://moviesincolor.com/post/73916464093/francois...
Francois Truffaut Week Bed & Board, 1970 color breakdown
January 20, 2014, 05:46 AM
http://feedproxy.google.com/~r/norendercom/~3/0CNn...
El viernes pasado se actualizó Davinci Resolve a la versión 10.1 y después de haber […]
January 20, 2014, 05:45 AM
http://vanhurkman.com/wordpress/?p=2054
One of the most frequently asked questions I’ve gotten over the years is “I’m planning on using a plasma display for color critical monitoring, but I’m not sure how to calibrate it.” I’ve been putting off answering this question for months, as the answer has, until recently, been a bit more complicated then I’ve wanted it to be. However, recent developments – specifically the release of DaVinci Resolve 10 – have dramatically simplified this process, making LUT calibration easie...
January 20, 2014, 05:44 AM
http://www.bosfcpug.org//bmd_announce_resolve_10_1...
Fremont, CA, USA - January 17, 2014 - Blackmagic Design today announced the release of DaVinci Resolve 10.1 software which adds new editing and 3D stereoscopic features as well as support for Final Cut Pro™ X 10.1. DaVinci Resolve 10.1 is available now for download free of charge for all existing DaVinci Resolve customers from the Blackmagic Design website.
January 20, 2014, 05:44 AM
http://www.panoramaaudiovisual.com/2014/01/20/davi...
Blackmagic Design has announced the release of version 10.1 of the DaVinci Resolve software, which offers new features for stereoscopic 3D, editing tools and compatibility with Final Cut Pro X 10.1...
January 19, 2014, 10:01 AM
http://www.redsharknews.com/post/item/1403-blackma...
Blackmagic Designs have released an update to their Resolve Colour Grading software, version 10.1, adding support for the FCPX 10.1 XML format, an easy way to switch between multiple takes and rich text titles. BlackmagicResolve 10Davinci ResolveFCP X
January 18, 2014, 08:41 AM
http://www.dvinfo.net/optical-science/is-p3-the-ne...
New OLED monitors are able to display most of the DCI P3 color space, something that was previously impossible to do without a digital projector and a very dark room. Some are saying that on-set monitoring in P3 is a natural next step given that most cameras out there can capture wide gamut color. Is Read More
January 17, 2014, 04:33 PM
http://www.dvinfo.net/article/post/resolve-10-wave...
Every time I download a new version of Resolve I have to fill out the little questionnaire that asks me what features I’d like to see added quickly. I always write, “Add a waveform scale that reads in percentages!” And Blackmagic Design never does. I’ve asked several people at Blackmagic why they don’t add this Read More
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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