To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Editing Ozark: Cindy Mollo, ACE, talks importance

July 8, 2020, 01:10 PM

https://postperspective.com/editing-ozark-cindy-mo...

By Randi Altman The Netflix drama Ozark, now streaming Season 3, has always been a fan favorite, but since the COVID-19 shutdown, it’s been credited with making quarantining just a bit more tolerable for a lot of people. The series stars Jason Bateman — who also directs and executive produces — and Laura Linney as Marty and Wendy Byrde, Continue reading → July 7, 2020 The post Editing Ozark: Cindy Mollo, ACE, talks importance of tone appeared first on postPerspective.

H.266 Codec Introduced Delivering the Same Visual

July 8, 2020, 01:10 PM

https://www.4kshooters.net/2020/07/08/h-266-codec-...

Despite the fact that the adoption of HEVC/H.265 is still an ongoing process across the industry, Fraunhofer HHI, the company behind the H.264 and H.265 video codecs, has just introduced the next generation video encoding – H.266.

ART OF THE CUT with Game of Thrones editor, Crispi

July 8, 2020, 01:10 PM

https://www.provideocoalition.com/aotc-game-of-thr...

In this episode, I’m talking with Crispin Green, ACE about editing four seasons of Game of Thrones, including two episodes of the last season. Green has also edited TV Series; Killing Eve, Strike Back, Upstairs Downstairs, Doctor Who, and many others. This interview is available as a podcast. (This interview was transcribed with SpeedScriber. Thanks to [...]Read More...

Recent updates - July 2020

July 8, 2020, 01:10 PM

http://www.digitalrebellion.com/blog/posts/recent_...

In case you missed it, here are some recent software updates for our products.CinePlay for iOS 1.7.8 - Jun 19 2020 Fixed an issue where it might not be possible to enter comments with an external keyboard Minor UI tweaks

Let's Edit with Media Composer - Working with the

July 7, 2020, 05:07 PM

https://www.provideocoalition.com/lets-edit-with-m...

It’s time, once again, for another “Let’s Edit” tutorial, and this time we’re talking about the absolutely free Particle Illusion application that Avid Media Composer editors can take advantage of, to take their effects work to the next level. Particle Illusion has been around for a while, but Boris FX has recently resurrected it, and included it in Continuum 2020.

New H.266 VVC codec shows promise for 4K and 8K st

July 7, 2020, 01:27 PM

https://www.techspot.com/news/85889-new-h266-vvc-c...

Something to look forward to: Video data is expected to account for over 82 percent of the global Internet traffic by 2022, and with the proliferation of 4K and 360-degree video, better video codecs are needed to reduce the bandwidth and space requirements of your favorite content. That's where Versatile Video Coding (VVC) comes in, which is able to achieve the same subjective quality as HEVC at only half the bitrate.

macOS Big Sur 11: Will your Mac support it?

July 7, 2020, 01:27 PM

https://www.provideocoalition.com/macos-big-sur-11...

Will your current Mac accept the first palindromic macOS version ever? On June 22, I published Apple reveals timetable & transition to its own processors, macOS Big Sur, iOS 14 & more (link ahead). Now many people are asking whether their current Mac will accept the first palindromic macOS version ever. Ahead I’ll give you [...]Read More...

Manhatten Edit Workshop

July 7, 2020, 01:27 PM

https://americancinemaeditors.org/manhatten-edit-w...

Sight, Sound & Story: Live Debuts Online with First Event “Mentors Inside the Cutting Room” on July 9th First Episode Features Editors Carol Littleton, ACE, Norman Buckley, ACE, and Brandi Bradburn, ACE moderated by Bobbie O’Steen New York, NY – June 30, 2020 – Manhattan Edit Workshop’s Sight, Sound & Story’s 2020 event series format is moving online.  Due to the COVID-19 pandemic, Sight, Sound & Story has delayed its live in-person events (June’s Post Summit & November’s ...

Enter Free Contest to Win 1 of 3 LogicKeyboards!

July 6, 2020, 11:17 PM

https://motionarray.com/learn/premiere-pro/logicke...

Motion Array is giving away a total of 3 LogicKeyboards! Enter the giveaway here: https://motionarray.com/learn/premiere-pro/logickeyboard-giveaway/ What makes LogicKeyboard a perfect option is how it fully incorporates some of our favorite After Effect and Premiere Pro shortcuts literally at your fingertips. Especially if you are newer to using shortcuts, it will help you to form a nice workflow for yourself – no need to google to learn what command you need to use.

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