It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 13, 2016, 09:14 AM
http://nofilmschool.com/2016/07/watch-what-if-ever...
A new video applies the fast-paced editing of 'Requiem for a Dream' to other iconic movies, such as 'Memento' and 'Psycho.'
July 13, 2016, 09:13 AM
http://www.mentorless.com/2013/05/24/the-art-of-ed...
Last February I shared a video of editor Eddie Hamilton talking at an Avid event about his career and how he worked his way through two drastically different editing experiences, Kick-Ass and X-Men First Class. A reader commented, wondering what was all the fuss about editors, since they seemed to him to be technicians doing what they were asked to by the (real artistic force behind a movie) director.
July 13, 2016, 09:05 AM
https://www.aotg.com/ibc2016-dalet-unleashes-power-of-media-workflow/
Dalet showcases accessible production and worldwide content delivery solutions; new tools support important industry standards, social media news publishing and cloud workflows
#workflow#dalet#digital media system#ibc2016July 13, 2016, 05:03 AM
http://www.screeneditors.com.au/enews-71-may-2016/
eNews 71 - May 2016
July 13, 2016, 05:03 AM
https://www.aotg.com/vfx-supervisor-matthew-gratzner-cinematic-vr/
We welcomed New Deal Studios Co-Founder, Creative Director and VFX Supervisor Matthew Gratzner. Matt took us through the process of how he created his Cinematic Narrative VR Films from prep, production and through post.
July 13, 2016, 05:03 AM
http://www.digimediapros.com/cinema-audio-society-...
The president of Cinema Audio Society has announced that they have added an addition to the CAS Awards categories: Documentary Motion Picture. Continue reading to learn more.
July 13, 2016, 05:03 AM
https://www.aotg.com/how-to-export-master-files-in-fcpx/
Manhattan Edit Workshop Instructor Ari Feldman shows how to export master files in the latest version of Apple's Final Cut Pro X.Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced manufacturer certified training courses, from the Avid, Autodesk, Assimilate and Apple products to the complete suite of Adobe applications.
July 13, 2016, 05:02 AM
http://lfhd.net/2016/07/12/tangent-ripple-mini-rev...
A mini review for a mini color panel. This is an unsolicited review…Tangent didn’t ask me to do it. I wasn’t supplied with a review unit. I rushed out and pre-ordered it from Flanders Scientific (where I get my broadcast monitors)…and then anxiously awaited it’s arrival for a couple months. It arrived late June in […]
July 13, 2016, 05:02 AM
https://www.aotg.com/criminal-vfx-breakdown-by-worldwide-fx/
Worldwide FX completed more than 500 shots for the action thriller “Criminal”. Our 2D and 3D departments worked closely with the director Ariel Vromen delivering a variety of full CG shots including a submarine, a helicopter and a missile firing. Worldwide FX’s work also included set extensions, green screen replacements, motion graphics, explosive action scenes and FX work.
July 13, 2016, 05:02 AM
https://www.aotg.com/how-to-make-photorealistic-materials-part-2-met/
Blender tutorial showing you how to make photorealistic metal! Using laws from the real world to make metal that actually looks like metal.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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