It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 1, 2017, 04:11 PM
https://www.aotg.com/adr-and-dubbing-in-hands-of-masses/
Global technology innovator Kiwa Digital has launched postproduction software that represents a paradigm shift for the industry. “The VoiceQ Democracy Series is a disruptive post production audio solution for a new digital era” - CEO Steven Renata in launching the series.
#audio#postproduction#dubbing#adrJanuary 1, 2017, 05:06 AM
http://designingsound.org/2017/01/sunday-sound-tho...
Boy, 2016 was a real hot mess* wasn’t it? I am looking forward to the new year as much as everyone else, though I don’t think things will necessarily get better or worse simply because there isn’t always going to be a “6” in the date. New Years is always a time of reflection, resolutions, […]
December 31, 2016, 02:54 PM
http://designingsound.org/2016/12/dsx-give-away-fi...
So here we are. The final round of winners in the give-away we’ve been running all month on Designing Sound Exchange. Before we announce the grand prize winner, of course. Keep an eye out for that tomorrow. First off, let me thank everyone for participating and helping to make that space special. We’ve seen the user […]
December 31, 2016, 07:26 AM
http://www.moviemaker.com/archives/news/pt-anderso...
Watch this rhythmic cut of the many bangs, thuds, cracks, claps, shots and snorts that comprise the harsh soundscapes of Paul Thomas Anderson's films.
December 31, 2016, 07:26 AM
https://www.aotg.com/frequency-amplitude/
In this video, we define and discuss the difference between frequency and amplitude. Frequency is the rate of change and amplitude is the quantity of change.
December 30, 2016, 02:25 PM
http://designingsound.org/2016/12/sound-with-benef...
As members of the audio industry, sound is our livelihood. Whether we’re cutting dialog, recording, editing, composing, or engaging in any other part of our field, we expose ourselves to sound everyday. And while sound is informative and emotionally moving, it is nevertheless a fatiguing experience for our body. Most of us have heard at […]
December 29, 2016, 02:30 PM
https://www.aotg.com/sound-editors-phil-stockton-eugene-gearty/
"Sight, Sound & Story" - Soundshow NY: "Life of Pi" Part 3. From Sight, Sound, and Story on June 8th, 2013.Starting in 1982 Eugene Gearty was one of the first digital Sound Editor/Designers in the film industry. He pioneered the use of the access and the Synclavier systems for use in creating and editing sound effects for movies such as "Silence of the Lambs," "Do The Right Thing," "Men in Black," and "The Hudsucker Proxy." He has worked with many New York directors including J...
December 29, 2016, 02:29 PM
http://designingsound.org/2016/12/win-a-library-fr...
2016 is almost done and, with it, so is our December give-away. If you haven’t won anything yet, here’s another prize that you should definitely try and get. Indeed, A Sound Effect generously offered to give you one copy of any of the libraries on sale on their website! To enter and maybe win the […]
December 29, 2016, 07:17 AM
http://designingsound.org/2016/12/recording-life-a...
With more than 30 years of professional activity, Gordon Hempton has dedicated most of his life to listen and record the sounds of nature, an endangered soundscape that he has sworn to protect as a recordist and an activist. Part of his life work has been made available for the rest of the sound community […]
December 28, 2016, 03:29 PM
http://www.provideocoalition.com/passengers-invent...
The sound tapestry inside the spaceship in Passengers may sound as something from a distant future, but it was created with things as simple as glass rolling on a desk or squeaks of an office chair. Passengers, from Director Morten Tyldum and Sony Pictures Entertainment, is a futuristic love story set on a mammoth spaceship The post Passengers: inventing the sound of a space love story appeared first on ProVideo Coalition.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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