To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Ben Eagleton Builds New Sydney Grading Facility Ar

December 4, 2013, 10:24 AM

http://www.btlnews.com/crafts/post-production/ben-...

Colorist Ben Eagleton has launched BE – a new Sydney-based color grading facility. Known for his work on TV commercials and music videos, Eagleton has a wealth of international experience in grading high-end projects. Eagleton chose to build the new facility around FilmLight’s Baselight for grading.

Meet the Colorist/Editor: Tristan Kneschke

December 4, 2013, 10:24 AM

http://postperspective.com/2013/12/meet-the-colori...

NAME: Tristan Kneschke COMPANY: New York City-based Exit Editorial (www.exitedit.com) CAN YOU DESCRIBE YOUR COMPANY? My one-man company provides offline editorial services and specializes in color grading. I have a fully mobile DaVinci Resolve kit that I messenger around town in cases for clients without resources to put together their own system. I set up […]

Qube Cinema Supports Cinecolor

December 4, 2013, 10:22 AM

http://www.creativeplanetnetwork.com/the_wire/2013...

Buenos Aires, Argentina: Dec. 3, 2013… Qube Cinema has sold its digital cinema servers and DCP mastering software to Cinecolor postproduction facilities in five Latin American countries. Each of the Cinecolor post houses – in Argentina, Chile, Brazil, Mexico and Columbia – now has a Qube XP-D server in its screening room for QC of its DCPs. Cinecolor Argentina and Columbia also use QubeMaster Pro for mastering DCPs. The DCP mastering and QC equipment enable Cinecolor to meet the growing de...

Movies in Color - On Facebook

December 3, 2013, 08:09 PM

http://moviesincolor.com/post/68934661260/hello-ev...

Hello everyone! Movies In Color now has its own place in the Facebook universe. For all updates on the website, palettes, and for fun announcements...

Qube Cinema Supports Cinecolor

December 3, 2013, 01:55 PM

http://news.creativecow.net/story/873778

XP-D Digital Cinema Servers and QubeMaster Pro Mastering Software Sales in Five Countries

Blackmagic Design Announces New Apple ProRes forma

December 3, 2013, 10:46 AM

http://www.btlnews.com/crafts/post-production/blac...

Blackmagic Design announced the immediate availability of HyperDeck 4.1 software, which adds three new Apple ProRes file formats for the HyperDeck Studio broadcast recorder. HyperDeck 4.1 update is available free of charge from the Blackmagic Design website.

Digital Technician: On Set LUT Creation 101

December 3, 2013, 05:38 AM

http://events.creativecow.net/event/3226/digital-t...

Digital Technician: On Set LUT Creation 101- 1D & 3D LUTs - conference-seminar Burbank California United States

Red really wants you to want 4K - but they explain

December 3, 2013, 05:36 AM

http://www.redsharknews.com/technology/item/1275-r...

RED, the makers of the beyond-4K cinema cameras, have a vested interest in making you want these higher resolutions. But they do explain it very well RED4KUpscalingInterpolationExtrapolation

Better HD in the Age of 4K (Intro Only)

December 2, 2013, 05:32 AM

http://www.schubincafe.com/2013/12/02/better-hd-in...

While 4K and Ultra HD continue to garner the majority of attention from manufacturers, the press, and many next-generation thinkers, the day-to-day needs of our business relies on one thing: producing better quality HD images. What are the best ways to create the best HD images possible?

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