To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
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How the Emmy-Nominated “WandaVision” VFX Team Made Magic
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Laden with special effects, big-name stars, and an audacious high concept, WandaVision represented a big swing for Marvel Studios when it debuted in January on Disney+. The bet paid off. Creator Jac Schaeffer’s series quickly became one of the season’s most talked-about new shows and it’s now validated all that buzz with a whopping 23 Emmy nominations. The hook? Superheroic witch Wanda Maximoff (Elizabeth Olsen) and android Vision (Paul Bettany) disguise themselves as man and wife living s...
WandaVision – Vision Destruction: VFX Breakdown by Rodeo FX
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COSMOBAll Cherno VFX Breakdown by Main Road Post
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https://www.cgwires.com/cosmoball/
Cosmoball, also known as Goalkeeper of the Galaxy is a 2020 Russian 3D superhero space opera film written and directed by Dzhanik Fayziev, based on the animated series Galactik Football, with the participation of the television channel Russia-1.[6] The film is set in the future, a post-apocalyptic city in a world inhabited by survivors of an intergalactic war that has shifted the planet’s poles. Above the city towers a huge alien ship – it is a stadium, the planet’s fate rests in the hands...
National Geographic’s Race to the Center of the Earth Shoots With URSA Mini Pro 4.6K G2
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Blackmagic Design announced today that season one of National Geographic’s adventure competition series, “Race to the Center of the Earth” shot with multiple URSA Mini Pro 4.6K G2s as their primary camera system.
#blackmagic design#blackmagic raw#ursa mini pro 4.6k g2How to Create Patterns Using For Each in Houdini
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DaVinci Resolve Subframe Tutorial
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Editor Matt Elias Joins Big Sky Edit
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https://postperspective.com/editor-matt-elias-join...
Matt Elias has joined the editorial roster at NYC’s Big Sky Edit. Elias was most recently with Wax, where he worked on ads for such brands as Vans, Dick’s Sporting Goods, Urban Decay, Maybelline and Avana. Elias got his start at BlueRock (now Lvly), starting as an intern after graduating SUNY Oswego, Continue reading → August 10, 2021 The post Editor Matt Elias Joins Big Sky Edit appeared first on postPerspective.
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