It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 10, 2016, 09:22 AM
https://medium.com/@nickybee/editing-and-match-cut...
OK — so a lot of assumptions have been made about editing in VR, most of which I think are wrong. Jessica Brillhart discusses a few at some length in one of her medium posts..
May 10, 2016, 09:22 AM
https://medium.com/@brillhart/in-the-blink-of-a-mi...
I’m going to take you back to May of 2015. After a long journey filming with a prototype 360-stereoscopic rig — a very early predecessor to this one — I found myself in Seattle preparing for an edit. I stared into the familiar void of an empty timeline, but I was suddenly without experience or expertise. There were no books on editing in virtual reality, no one with advice, no theory on how to proceed.
May 10, 2016, 09:22 AM
https://www.aotg.com/las-vegas-supermeet-2016-new-frontiers-in-filmmak/
We welcome to the SuperMeet Academy Award-winning VFX Supervisor Rob Legato as he talks about one of the most technologically advanced films ever made – The Jungle Book. Drawing on this experience and others, Rob will share the secrets of his creative process that helped him and his team reinvent the film production pipeline. In addition to his career in visual effects, Rob is also an experienced director, director of photography and colorist.
May 10, 2016, 09:22 AM
https://www.aotg.com/arnold-vfx-workflow-with-cinema-4d-2/
Helge Maus / pixeltrain Vortrag auf der FMX 2016: "ARNOLD VFX Workflow with Cinema 4D"
May 10, 2016, 07:20 AM
https://www.aotg.com/dpa-microphones-captures-audio-for-new-netflix/
DPA Microphones Captures Scary Good Audio For New Netflix Supernatural Thriller, Stranger Things Production Sound Mixer Chris Durfy, CAS Relies on d:dicate 4017 and 4018 Shotgun Microphones for Highly Anticipated Show
#dpa microphonesMay 10, 2016, 07:03 AM
https://www.aotg.com/wisycom-helps-bamfsound-with-wireless-frequencies/
Company’s RF equipment helps sound duo capture pristine audio
#broadcast#wisycom#bamfsound#transmitter#frequencyMay 10, 2016, 05:24 AM
http://www.screeneditors.com.au/videocraft-informa...
TO RSVP please email your details to: Sydney -rsvp@screeneditors.com.au Melbourne -rsvpvic@screeneditors.com.au
May 10, 2016, 05:23 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — Veteran VFX producer Chad Hudson, whose credits include The Walking Dead and Game of Thrones, has joined FuseFX (www.fusefx.com) in Los Angeles. He becomes part of a diverse production team that is creating effects for Fox’s Sleepy Hollow and pilots for CBS and Amazon, as well as other upcoming television projects.
May 10, 2016, 05:23 AM
http://feedproxy.google.com/~r/richardharringtonbl...
At this year's NAB, I was invited to kickoff the conference as a guest on their live broadcast. I had a chance to talk about changes in the world of educating creative professionals. I shared some of my own view points about where things are going and how the changes affects students and working pros alike. My interview starts around the 22 minute mark.
May 10, 2016, 05:23 AM
http://feedproxy.google.com/~r/norendercom/~3/0vzl...
Conformado En este vídeo explicamos uno de los temas que más problemas suele dar en […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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