It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 5, 2012, 03:36 PM
http://provideocoalition.com/index.php/editingpost...
The Hollywood Post Alliance is a trade association that promotes the exchange of information between post production professionals. They host several events throughout the year that help us stay on top of our game.
February 5, 2012, 03:35 PM
http://provideocoalition.com/index.php/motiongraph...
With this Expression, I will show you how to feed numerical property information into a Text layer. Great for HUD numerical readouts that show coordinates or just various position info.
February 5, 2012, 11:06 AM
http://www.larryjordan.biz/app_bin/wordpress/archi...
With the recent release of FCP X 10.0.3, a lot has been written about the ability to – at last – move Final Cut Pro 7 projects to FCP X. However, there's another segment of videographers that can also easily migrate to the power of Final Cut Pro X: iMovie users. Let me show you how this works.
February 4, 2012, 11:44 AM
http://colorgrader.net/index.php/grading-tools/ass...
Neat Video is a video filter designed to reduce visible noise and grain in video footage produced by digital video cameras,camcorders, TV-tuners, digitizers of film or analog video.
February 4, 2012, 11:41 AM
http://www.handheldhollywood.com/latest-news/avid-...
Editing on an iPad? Yeah, right. iMovie? Pffft. Whatever. Let me know when Avid makes an iPad app! Because that’s when I'll start take mobile editing seriously.
February 4, 2012, 11:32 AM
http://www.motionvfx.com/mblog/post,p1174.html
Philip Hodgetts reports on his blog that at the San Francisco Supermeet last week, Adobe's Al Mooney revealed a sneak peek at a new application for the Creative Suite called Prelude.
February 3, 2012, 03:18 PM
http://www.videomaker.com/community/videonews/2012...
Apple has been known for being very 'i' centric with it's devices – often only allowing Mac-able applications to run on many of the products Apple sells. So we were all taken aback with the big news coming from Avid's corner that Avid Studio editing software will now run on Apple's iPad.
February 3, 2012, 03:16 PM
http://www.2-pop.com/article/115952
Blackmagic Design has announced that Company 3 used DaVinci Resolve with Resolve Control Surface for color grading the 2D, 3D and IMAX 3D versions of Underworld: Awakening. The film, directed by Marlind and Stein and shot by Scott Kevan, is the latest in the hugely popular and visually stunning vampire themed Underworld series.
February 3, 2012, 11:49 AM
http://www.chris-portal.com/2012/02/03/a-fool-view...
Quick post on a write up over on The Motley Fool, a multimedia financial-services company. They've posted a 3 part series on the state of our three "favorite" non-linear editors (NLEs), but this one is more from a business perspective.
February 3, 2012, 11:46 AM
http://provideocoalition.com/index.php/autodesk/st...
My love affair with RED Digital Cinema began in 2007, when my brief stint as demo artist in the NAB RED booth turned into a regular gig at events and trade shows. When I joined Autodesk as Product Designer to help bring Smoke to the Mac, I was quickly assigned to construct our first RED workflow. Back then, building a RED workflow meant exploring unchartered territory, but since then things changed rather quickly in the last couple years.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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