It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 1, 2016, 08:23 AM
http://behindvfx.com/post/143666737580/behind-vfx-...
Behind VFX ACCESS is a video curation service to give movie fan a direct access to curated playlists of reliable official behind the scenes videos.
April 30, 2016, 03:06 PM
http://www.provideocoalition.com/art-cut-editor-ju...
Editor Mark Livolsi, ACE, started out as an apprentice editor on “Wall Street” (1987), moving up through the ranks for more than a decade, getting his first job as editor on 2001’s “Vanilla Sky” directed by Cameron Crowe, then cutting a series of well known comedies, like “Wedding Crashers,” and movies like “The Devil Wears The post ART OF THE CUT with the editor of “The Jungle Book,” Mark Livolsi, ACE appeared first on ProVideo Coalition.
April 30, 2016, 03:06 PM
http://designingsound.org/2016/04/sunday-sound-tho...
As the year continues, many of these posts will be philosophical in nature. Some will be in contradiction to previous postings. These are not intended as truths or assertions, they’re merely thoughts…ideas. Think of this as stream of consciousness over a wide span… I’ve had this one in the topic queue for a while, but […]
April 30, 2016, 03:05 PM
http://lesterbanks.com/2016/04/working-udims-mash-...
Ian Waters describes how to use UDIMs with the Color Node to vary up the textures on your MASH points. The Post Working With UDIMs in MASH for Maya originally appeared and published on %%BLOGLINK%,by lesterbanks
April 30, 2016, 04:34 AM
https://www.aotg.com/nab-2016-bluefish444s-tom-lithgow/
Tom Lithgow from BlueFish444 was at NAB showing a complete VR workflow at its booth - using its IngestStore for capture.
April 30, 2016, 04:34 AM
https://www.aotg.com/nab-2016-g-technologys-greg-crosby/
Greg Crosby from G-Technology was at NAB 2016 talking about the company's latest, G-Rack 12 NAS.
April 30, 2016, 04:33 AM
http://postperspective.com/larson-studios-pulls-of...
By Jennifer Walden Turnarounds for TV series are notoriously fast, but imagine a three-day sound post schedule for a single-camera half-hour episodic series? Does your head hurt yet? Thankfully, Larson Studios, in Los Angeles has its workflow on FX’s Baskets down to a science. Continue reading →April 30, 2016
April 30, 2016, 04:33 AM
https://www.aotg.com/shape-layer-iris-in-after-effects/
Super cool tutorial making an iris or an aperture in After Effects using shape layers, this tutorial also comes with a free script that recreates the whole thing for you, but what is the fun in that?
April 30, 2016, 04:33 AM
http://www.avidblogs.com/inside-the-edit-with-padd...
What does it take to succeed in the world of fast-paced television editing? Just ask editor Paddy Bird. Over the past 15 years, Bird has worked on some of the world’s most renowned television shows, including X Factor, Big Brother, and Wife Swap—plus numerous high-end political, historical, and observational documentaries.
April 30, 2016, 04:33 AM
http://www.awn.com/news/vfx-legion-delivers-seamle...
Hardcore Henry is anything but subtle. Sit through its blistering, adrenaline-fueled runtime and you’ll witness shootouts in Russian brothels, highway chases through red-hot explosions, blue-sky free falls from thousands of feet above sea level. But what makes this different from any other thrill-packed action movie is that this time you witness all of the unfolding events from inside the head of the protagonist. To put it another way -- you are Hardcore Henry.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.