To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Create Seamlessly Looping Spirals With Trapcode TA

April 16, 2016, 12:26 PM

http://lesterbanks.com/2016/04/looping-spiral-trap...

Dominic Pons shows a couple of different methods for creating spirals using TRapcode TAO in After Effects. The Post Create Seamlessly Looping Spirals With Trapcode TAO originally appeared and published on %%BLOGLINK%,by lesterbanks

PreNAB Lounge Panel 2016 Part 2 of 2

April 16, 2016, 05:49 AM

https://www.aotg.com/prenab-lounge-panel-2016-part-2-of-2/

The 13th Annual Editors' Lounge Pre-NAB Discussion Panel was held on Friday March 25th at Key Code Media in Burbank, and featured wide-ranging discussion: the HPA Tech Retreat, HDR vs. 4K, VR, editing in the cloud, and much much more.Cast: Editors' LoungeTags: Avid, Apple, Final Cut Pro, Editing, Post Production, Media Composer, Premiere, file based, NLE, Non Linear Edit System, Editors, Color Correction, FCPx, Adobe, HDR, High Dynamic Range, VR, Virtual Reality and 4K

PreNAB Lounge Panel 2016 Part 1 of 2

April 16, 2016, 05:49 AM

https://www.aotg.com/prenab-lounge-panel-2016-part-1-of-2/

The 13th Annual Editors' Lounge Pre-NAB Discussion Panel was held on Friday March 25th at Key Code Media in Burbank, and featured wide-ranging discussion: the HPA Tech Retreat, HDR vs. 4K, VR, editing in the cloud, and much much more.Cast: Editors' LoungeTags: Avid, Apple, Final Cut Pro, Editing, Post Production, Media Composer, Premiere, file based, NLE, Non Linear Edit System, Editors, Color Correction, FCPx, Adobe, HDR, High Dynamic Range, VR, Virtual Reality and 4K

Is It Possible to Stay Healthy at NAB?

April 16, 2016, 05:48 AM

http://feedproxy.google.com/~r/industryhappenings/...

For those going to NAB next week, here’s a great post about how one attendee is going to make her trip a healthy one. Is It Possible to Stay Healthy at NAB?. (fitnessinpost.com)

5 THINGS: On LTO Tape (episode 202)

April 16, 2016, 05:48 AM

https://www.aotg.com/5-things-on-lto-tape-episode-202/

In this episode of 5 THINGS, Michael explores what YOU need to know about LTO tape!

ART OF THE CUT with Oscar winning editor: Martin W

April 16, 2016, 05:48 AM

http://www.provideocoalition.com/p30933/

In the Art of the Cut interview series I’ve had the pleasure to interview several Oscar-winning editors. This one was made possible by Eddie Hamilton, who I interviewed for “Mission Impossible: Rogue Nation.” Eddie was credited as additional editor on “Eddie the Eagle” and was thrilled to have the opportunity to work with the legendary The post ART OF THE CUT with Oscar winning editor: Martin Walsh appeared first on ProVideo Coalition.

FilmLight at NAB with Baselight 5.0

April 16, 2016, 05:48 AM

http://postperspective.com/filmlight-at-nab-with-b...

FilmLight, which makes management and grading technologies, is at NAB 2016 with Baselight 5.0, a new version of the company’s flagship color finishing system. Baselight 5.0 includes a new set of tools to optimize both high dynamic range (HDR) grading and extended color gamut, and offers more than 50 new features designed to help colorists and other creative artists. Continue reading →April 16, 2016

Color Charts at NAB: See What You’re Missing

April 16, 2016, 05:48 AM

http://www.provideocoalition.com/color-charts-nab-...

Why am I hawking camera test charts at NAB? Because they reveal the secrets hidden inside every single camera made. Back when we used to shoot film, a gray card was often enough to ensure properly printed dailies. No one shoots gray cards anymore, but they’re more important than ever—even though they don’t work terribly The post Color Charts at NAB: See What You’re Missing appeared first on ProVideo Coalition.

Episode 188 - Christopher Tellefsen (Capote, Moneyball)

April 16, 2016, 03:28 AM

https://www.aotg.com/episode-188-christopher-tellefsen-capote-moneyball/

As we prep for NABShow 2016, we play an excerpt from Sight, Sound, and Story's editor's panel in which Bobbie O'Steen interviews Christopher Tellefsen. Be sure to follow us closely as next week we'll be posting the interviews from NAB.

#editor#editing#film#film editing#christopher tellefsen#television#movies#the cutting room#moneyball#capote
Carol Littleton, ACE

April 15, 2016, 04:26 PM

https://americancinemaeditors.org/carol-littleton-...

Veteran Editor, Carol Littleton, ACE, Receives Career Achievement Honor ABOUT CAROL LITTLETON, ACE Nominated for an Oscar®, a BAFTA and an ACE Eddie Award for her work on Steven Spielberg’s classic “ET: The Extraterrestrial,” Carol Littleton got her start editing TV commercials. Her first credit as an editor was on “Legacy,” an AFI production directed […]

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