It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 6, 2016, 09:39 AM
http://www.pixarpost.com/2016/04/Piper-Pixar-upcom...
With each Pixar theatrical release, audiences also receive a wonderful short film accompanying the feature film. We've experienced films like Enrico Casarosa's beautiful, La Luna, to the Oscar Winning short film, For The Birds, by Ralph Eggleston — and now we're are pleased to learn that the short released alongside Finding Dory will be Piper by director, Alan Barillaro.
April 6, 2016, 09:39 AM
http://logic-pro-expert.com/logic-pro-blog/2016/04...
To all Raven MTi2/MTX owners: Slate Media Technology/SlateTV yesterday put up a nice video tut about how to use Logic Pro X’s Show/Hide Groups feature together with the Raven Multi-Touch Production Console.
April 6, 2016, 08:25 AM
https://www.aotg.com/nab-panel-focuses-on-complexities-of-mastering/
AMIA President Andrea Kalas to Moderate with Experts from Dolby, HBO, Disney and Netflix
#nab#amia#panelApril 6, 2016, 05:33 AM
http://www.postmagazine.com/Press-Center/Daily-New...
SANTA CLARA, CA — Assimilate (www.assimilateinc.com) has introduced Scratch VR Suite, a realtime VR toolset for dailies work, conforming, color grading, compositing, finishing, and mastering in any format, at any resolution. The virtual reality toolset enables the highest level of quality and productivity, and is affordable for everyone. Assimilate will showcase Scratch VR Suite at its booth in the VR Pavilion at NAB 2016.
April 6, 2016, 05:33 AM
http://www.avidblogs.com/nab-2016-second-annual-av...
The article NAB 2016: Join the Second Annual ‘Avid Editors of Facebook’ Meet-Up in Las Vegas by Chris Bové appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
April 6, 2016, 05:33 AM
http://www.jaa-editing.com/blog/avid-blogs-editor-...
Excerpt: In live action filming, every action on set is accompanied by the corresponding sound. Often these are replaced or enhanced, but the sound is there and used within the rhythm of the cut whether consciously or unconsciously. In animation, every single sound needs to be purposefully placed – and often created from scratch by a foley team. It’s often a delicate balance between knowing which temp sound effects are best to place during the animatic to help tell the story and do th...
April 6, 2016, 05:33 AM
http://cceditors.ca/daytime-emmy-nomination-for-cc...
Congratulations to CCE member, Lisa Robison for her Daytime Emmy Nomination for “Outstanding Single Camera Editing -R.L. Stine’s Monsterville: Cabinet of Souls Editor”
April 6, 2016, 05:31 AM
https://www.aotg.com/london-has-fallen-vfx-breakdown-by-worldwide-fx/
Senior Visual Effects Supervisor Sean Farrow, and Visual Effects Producer Anna V. James, led Worldwide FX's team completing more than 400 shots for this movie. Worldwide FX's was the lead VFX house on "London Has Fallen" and our main areas of work included a number of full CG shots and various set extensions, DMPs and environment work in order to recreate key locations in London such as Saint Paul’s Cathedral, Chelsea Bridge and Buckingham Palace.
April 6, 2016, 05:31 AM
https://www.aotg.com/resolve-in-under-5-min-premiere-projects-to-resol/
In this week's Resolve in Under 5 Minutes, Alexis Van Hurkman demonstrates two methods for sending projects from Adobe Premiere Pro into DaVinci Resolve 12, ...
April 6, 2016, 05:31 AM
http://cgvilla.com/2016/04/06/how-to-take-renders-...
This tutorial explains the process of rendering your model in keyshot and compile them in Photoshop for presentation.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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