To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Reznor and Ross to compose for Partiot's Day

October 3, 2016, 12:59 PM

http://www.slashfilm.com/patriots-day-score/

For David Fincher’s drama, The Social Network, Nine Inch Nails front man Trent Reznor and composer Atticus Ross teamed up to deliver their first collaboration on a feature film score. Since then, they’ve reteamed with the filmmaker for The Girl with the Dragon Tattoo and Gone Girl, always delivering spectacular award worthy scores. But their next feature film collaboration will see them working with a different director this time.

Review - SoundBits Sound Effects Libraries

October 3, 2016, 12:59 PM

https://www.aotg.com/review-soundbits-sound-effects-libraries/

In this video Mike Thornton takes a whistle stop tour around some of the sound effects libraries from SoundBits. He takes a look at a number of libraries that have filled some gaps in this 50,000+ sound effects collection.

RTW Announced as New Distributor for Listen, Inc.

October 3, 2016, 08:36 AM

https://www.aotg.com/rtw-announced-as-new-distributor-for-listen-inc/

RTW, a leading vendor of visual audio meters and monitoring devices for professional broadcast, production, post production and quality control, is proud to begin the distribution of hardware and software products and systems from Listen, Inc., a world leader in audio and electroacoustic test and measurement.

#rtw
Monthly Theme: Sound for Live Theater

October 3, 2016, 07:42 AM

http://designingsound.org/2016/10/monthly-topic-so...

“Stand-by SQ 01, monthly theme… monthly theme Go!” Ok, so this month we’re going to be taking a look at the world of sound for live theater. This is the world where many argue the term “Sound Designer” found its first use. A world where multi-channel discreet sound systems going into the hundreds of speakers could be found […]

AES 2016: An overview of the key talking points

October 3, 2016, 07:41 AM

http://www.audiomediainternational.com/show-news/a...

For a number of reasons – not least being the outstanding work done behind the scenes by its volunteer planning committee – the 141st AES Convention, which ended at the Los Angeles Convention Center yesterday, delivered on its promise. The four-day attendance was outstanding, with a good representation of overseas visitors, while a wide cross section of brands showed their wares on the exhibition floor and companion demonstration rooms.

AES 2016: SSL unveils Nucleus²

October 3, 2016, 07:41 AM

http://www.audiomediainternational.com/show-news/a...

Solid State Logic revealed Nucleus², a new version of its professional DAW controller, audio interface and studio monitoring hub, at the AES Show which took place in LA over the last few days.

Mixing Her’s “Love and Hate” song with Tchad

October 3, 2016, 07:40 AM

https://www.youtube.com/watch?v=EdHm-MoOH3Q

Award-winning producer Tchad Blake gets the tracks recorded by Andrew Scheps and takes you through to the final mix of the song using many Pro Tools features and plug-ins to deliver some incredible sounds.

Sunday Sound Thought 40 – Finding a Balance with

October 2, 2016, 12:38 PM

http://designingsound.org/2016/10/sunday-sound-tho...

As the year continues, many of these posts will be philosophical in nature. Some will be in contradiction to previous postings. These are not intended as truths or assertions, they’re merely thoughts…ideas. Think of this as stream of consciousness over a wide span… When I started thinking about this post yesterday, it was from the […]

How To Create A 5.1 Audio Mix In Adobe Premiere Pr

October 1, 2016, 09:06 AM

https://www.digimediapros.com/how-to-create-a-5-do...

In this tutorial, narrative and documentary film editor James K. Crouch shows us how to properly set up and configure Adobe Premiere Pro CC to work with 5.1 audio mixes. He explains what stems are, how to map them to the correct tracks, how to assign the correct audio channel outputs to tracks in your sequence, how to export the 5.1 audio mix, plus much more.

Composer Kris Dirksen and Cinemax's Quarry

September 30, 2016, 02:33 PM

https://www.aotg.com/composer-kris-dirksen-and-cinemaxs-quarry/

Check out this great video with Composer Kris Dirksen which profiles his work behind the sounds of Cinemax's show Quarry.

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