It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 25, 2016, 01:33 PM
http://www.avidblogs.com/media-composer-quick-tip-...
The article Media Composer Quick Tip: Setting up a Render Completion Sound by Brian Benoni appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
February 25, 2016, 01:33 PM
http://postperspective.com/bcpc-hosting-documentar...
The Blue Collar Post Collective (BCPC), a grassroots organization that supports emerging post talent, is presenting “Editor Conversations v1: Cutting and Recutting the Documentary Scene,” a four-person panel discussion featuring experienced documentary editors such as Mona Davis (Frontline), Dena Mermelstein (Strickland), Mariah Rehmet (Stretch and Bobbito) and Zac Stuart-Pontier (The Jinx). Continue reading → February 25, 2016 The post BCPC hosting documentary editing panel as fundr...
February 25, 2016, 01:33 PM
http://boscpug.org/cpug-network-announces-fifteent...
This SuperMeet will celebrate the fifteenth anniversary of holding SuperMeets in Las Vegas on Tuesday, April 19, 2016 in the Pavilion Ballroom at the Rio Hotel in Las Vegas, Nevada.
February 25, 2016, 01:33 PM
http://postperspective.com/ep-stefanie-bassett-joi...
New York City-based edit house Uppercut has brought on Stefanie Bassett as executive producer. Basset, who has over 10 years of experience in post, has collaborated with such agencies as McCann, Mother, McGarryBowen, 360i and Hill Holliday. In her new role as EP at Uppercut, Continue reading → February 23, 2016 The post EP Stefanie Bassett joins edit house Uppercut appeared first on postPerspective - Randi Altman's postPerspective.
February 25, 2016, 01:32 PM
http://www.wired.com/2016/02/sicario-composer-is-t...
2015 WAS A great year for unconventional film soundtracks. Disasterpiece’s 80’s horror-influenced score for It Follows, Ben Salisbury and Geoff Barrow’s sparse compositions for Ex Machina, and Junkie XL’s adrenaline-soaked noisewall for Mad Max: Fury Road offer beautiful, progressive examples of what constitutes a soundtrack.
February 25, 2016, 01:31 PM
https://www.aotg.com/joel-ethan-coen-shot-reverse-shot-2/
Tony Zhou covers a lot of ground in his latest video essay, which examines the Coen brothers’ use of shot/reverse shot. Noting that they prefer to film conversations from the middle rather than over the shoulder with a long lens, he finds an appropriate video interview with Roger Deakins that discusses his lens preference. Then it’s on to framing, how the characters are defined by their environments, and the emotional effect of these shot choices: both uncomfortable and funny, Zhou concludes...
February 25, 2016, 10:36 AM
http://www.slashfilm.com/cinderella-visual-effects...
The visual effects company MPC has just unveiled a Cinderella visual effects reel, showing off the incredible, detailed landscapes that make up the kingdom at the center of the story as well as the digital animals and their transformation. It’s even more impressive then you think.
February 25, 2016, 10:36 AM
https://www.aotg.com/how-to-make-your-voice-sound-better-in-audacity/
This is how to make your voice sound better in Audacity for gameplay commentaries, when singing, performing a voice over and more. The native effects that come loaded on audacity have the power to make your voice sound great!
February 25, 2016, 10:35 AM
http://www.premiumbeat.com/blog/gutter-editing-and...
How to use the juxtaposition of uninflected shots and the gutter between them to make a compelling edit that will keep your viewers actively engaged in the storytelling process.
February 25, 2016, 10:34 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — Cinesite completed over 200 visual effects for Pride & Prejudice & Zombies, the zombie mash-up directed by Burr Steers and based on the celebrated Jane Austin classic. Work on the visual effects was shared across Cinesite’s London and Montréal studios.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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