It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 16, 2021, 08:55 AM
https://americancinemaeditors.org/ace-committee-me...
ACE Committee Meetings 2021
July 16, 2021, 08:55 AM
https://www.artofvfx.com/from-game-to-screen-the-m...
Warner Bros has released this interesting making of about the different aspects of Mortal Kombat and of course the VFX work (made by Rising Sun Pictures, Mr. X, Method Studios, SlateVFX, SCRTLB – Secret Lab) explained by Overall VFX Supervisor Chris Godfrey (around 0:13:00)!
July 16, 2021, 08:55 AM
https://beforesandafters.com/2021/07/16/how-the-f9...
Amongst an impressive array of stunts and practical effects filmmaking, the Fast & Furious movies have always made use of visual effects to help tell their stories. This might be to make vehicles—and characters—carry out extraordinary jumps, leaps and crashes that cannot be staged physically, to place actors inside cars during daring stunts, or to extend locations where action perhaps could not be filmed. A common practice in the movies also, for example, has been to piece together multiple ...
July 15, 2021, 04:23 PM
https://www.aotg.com/matt-villa-discusses-the-editing-of-peter-rabbit-2/
Gordon sits down with Matt Villa to discuss the editing of Peter Rabbit 2 - The Runaway.
#matt villa#peter rabbit 2July 15, 2021, 12:00 PM
https://www.blackmagicdesign.com/media/release/202...
Blackmagic Design today announced that Porter Robinson’s “Secret Sky” concert was shot using Blackmagic Design’s Pocket Cinema Camera 6K Pro, Pocket Cinema Camera 6Ks and URSA Mini Pro 4.6K G2. The hour plus immersive concert, which has been watched by millions around the world, could be viewed in 2D as well as inside a VR world where customers could mingle with avatars of other fans from around the world.
#blackmagic design#davinci resolve studio#pocket cinema camera 6k#pocket cinema camera 6k pro#ursa mini pro 4.6k g2July 15, 2021, 09:02 AM
https://www.premiumbeat.com/blog/10-quick-tips-bac...
Losing projects is the worst. Especially because it doesn’t have to happen! Avoid disaster with these tips for backing up footage. If you’re new to filmmaking, the …
July 15, 2021, 09:01 AM
https://www.provideocoalition.com/editors-on-editi...
The Editors on Editing Podcasts brings the fantastic conversations that Glenn Garland has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Glenn talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows and [...]Read More...
July 15, 2021, 09:01 AM
https://postperspective.com/yan-miles-ace-emmy-nom...
By Jay Hopkins Since its premiere on Netflix four seasons ago, The Crown has become a favorite of critics and an addiction for viewers. Historical fiction based on real events, this series gives viewers a glimpse at what “might” have been going on behind closed doors with England’s royal family. Emmy has loved the show as well, Continue reading → July 14, 2021 The post Yan Miles, ACE: Emmy-Nominated Editor of The Crown‘s ‘Fairytale’ appeared first on postPerspective.
July 15, 2021, 09:01 AM
https://postperspective.com/carbon-ny-adds-tia-per...
Creative Studio Carbon welcomes Tia Perkins as head of production in New York. She joins from The Mill, where she spent 12 years partnering with some of the biggest brands in the business. As senior content producer for Mill+, she helped build the studio’s in-house directorial offering. Known for her collaborative and supportive leadership style, Continue reading → July 14, 2021 The post Carbon NY Adds Tia Perkins as Head of Production appeared first on postPerspective.
July 15, 2021, 09:00 AM
https://blog.motionisland.com/13-best-after-effect...
Unless you have been living under a pre-digital rock, it is no surprise that After Effects has been the mainstream app for motion graphics and visual effects for multiple decades. They have been a sort of omnipotent figure in the creative digital realm. From newbies to pros, anyone can easily learn some aspect of [...] The post 13 Best After Effects Alternatives You Need To Know About Now appeared first on MotionIsland Blog.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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