To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Create a Watch Folder (Adobe Media Encoder)

February 23, 2016, 01:34 PM

https://www.aotg.com/create-a-watch-folder-adobe-media-encoder/

Video compression makes our media files small enough that they can be stored and viewed on the web. Sounds easy – but, it isn’t. For most of us, the process is confusing and the results disappointing. That’s where this week’s webinar can help.

Editorial Workflows - Digital Cam-Digital Delivery

February 23, 2016, 11:54 AM

http://eepurl.com/bRulgL

Thursday. March 10th, 6 to 8 pm. Brad Stoddard President of the New Mexico Post Alliance and owner of Stoddard Communications will discuss and demonstrate workflow options for video and audio postproduction. He will demonstrate non-linear editing tools Final Cut Pro X, Premiere Pro, and Davinci Resolve Studio. Topics will include importing files and formats, media management, metadata, exporting, delivery file formats, and quality checking deliverables. Q&A.

Sigma Introduces Electronic External Flash EF-630

February 23, 2016, 11:51 AM

https://www.aotg.com/sigma-introduces-electronic-external-flash-ef-630/

Boasts TTL exposure control, high-speed sync, wireless flash functions, rear-curtain sync, auto-zoom, and wide-angle illumination coverage and more

#camera#flash#photography#electronics#consumer electronics#lens#sigma#ef-630#external flash
Open Color & LUT Color Management With V-Ray for M

February 23, 2016, 10:28 AM

http://lesterbanks.com/2016/02/open-color-lut-colo...

MaxDepth shows how you can use the V-Ray Frame Buffer to apply OCIO and LUTs to renders. The Post Open Color & LUT Color Management With V-Ray for Maya originally appeared and published on %%BLOGLINK%,by lesterbanks

Film Editing Chat with “Legally Blonde” Editor

February 23, 2016, 10:28 AM

http://www.videoguys.com/blog/film-editing-chat-wi...

Award winning American Cinema Editor, Anita Brandt Burgoyne talks with The Cut Center about her path as a professional editor and her preference for Avid Media Composer. If you’re an Avid editor, don’t miss our Top 10 Products for Avid Media Composer! CUT & TALK WITH “LEGALLY BLONDE” EDITOR ANITA BRANDT BURGOYNE (A.C.E) The Cut Read More The post Film Editing Chat with “Legally Blonde” Editor Anita Brandt Burgoyne, A.C.E appeared first on Videoguys Blog.

Expression language tutorial

February 23, 2016, 10:28 AM

http://angietaylor.co.uk/expression-language-tutor...

Expression language tutorial – taught by Angie Taylor as part of the After Effects Expressions for Premiere Pro Editors The post Expression language tutorial appeared first on Angie Taylor - Motion graphic design.

DEADPOOL: Wayne Brinton - VFX Supervisor - Rodeo F

February 23, 2016, 10:27 AM

http://www.artofvfx.com/deadpool-wayne-brinton-vfx...

In 2013, Wayne Brinton explained to us about the work of Modus FX on PARKER. he then worked on NOW YOU SEE ME and BEAUTY AND THE BEAST. Then he joined MPC to work on X-MEN: DAYS OF FUTURE PAST and CINDERELLA. In 2015, he joined Rodeo FX and worked on GAME OF THRONES and WARCRAFT.

Flying Swords Vfx Breakdown

February 23, 2016, 10:27 AM

http://www.cgmeetup.net/home/flying-swords-vfx-bre...

As always most of the credit goes to the awesome team that sweated blood and tears to get this done. Is shot and done in native stereo.

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.