It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 15, 2021, 09:00 AM
https://beforesandafters.com/2021/07/15/the-making...
WATCH THIS OFFICIAL FEATURETTE COVERING SEVERAL ASPECTS OF THE PRODUCTION, INCLUDING SFX AND VFX.
July 15, 2021, 09:00 AM
https://beforesandafters.com/2021/07/15/vfx-artifa...
The bullet time effect from The Matrix still captivates audiences, partly for the on-screen effect itself, and partly for how it was achieved with an array of still cameras and virtual backgrounds.
July 15, 2021, 09:00 AM
https://www.shootonline.com/node/89143
Cut+Run has added editor Andrea Mendoza to its roster. Based out of Cut+Run’s Austin office, Mendoza is available to edit nationwide. Mendoza’s work effortlessly spans many genres, with a focus on comedy borne from utterly relatable moments. Her careful attention to detail and sense of timing are evident in collaborations for Apple, Michael’s, Dodge, Infiniti, Jack Links, and AARP starring Betty White, among many more.
July 15, 2021, 09:00 AM
https://www.awn.com/vfxworld/visual-effects-help-d...
As much as Emma Stone’s fantastic performance has claimed the spotlight on Disney’s Cruella, the studio’s hit film that explores the iconic villainess’ origins, the numerous canine cast members are as equally compelling. VFX supervisor Max Wood, along with MPC Film, created CG versions of the Baroness’ (Emma Thompson) three Dalmatians, Buddy the Terrier as a puppy and adult, and the eye-patched Chihuahua known as Wink.
July 15, 2021, 08:59 AM
https://www.artofvfx.com/the-tomorrow-war-sheldon-...
Back in 2017, Sheldon Stopsack explained in detail the work of MPC on Transformers: The Last Knight. He then worked on Roma and joined the Weta Digital teams in 2018. He worked on Gemini Man and Terminator: Dark Fate.
July 15, 2021, 08:59 AM
https://www.artofvfx.com/resident-evil-infinite-da...
Netflix has released this interesting behind the scenes video about the motion capture and virtual production work for the animated series Resident Evil: Infinite Darkness. The animation and CG work are made by Quebico...
July 14, 2021, 01:06 PM
https://www.blackmagicdesign.com/media/release/202...
Blackmagic Design today announced that NewBlue Inc. is using its line of ATEM production switchers and DeckLink capture and playback devices as part of its live production and post production line of products. Through the combination, customers are able to create broadcast quality real time graphics, titling and animations for any type of live event quickly and affordably.
#blackmagic design#newblue#decklink#atem#davinci resolve studio#totalfxJuly 14, 2021, 09:13 AM
https://www.provideocoalition.com/scoring-for-supe...
The July 14th ASCAP Experience should not be missed if you want to know all about what they don’t teach you in music school and discover how the music of ‘Black Widow’ was created. In early May this year, ASCAP’s signature event returned to a virtual stage on a twice-monthly basis. After the May 12 [...]Read More...
July 14, 2021, 09:13 AM
https://tonebenderspodcast.com/169-building-a-back...
Al Sirkett and Lucy Mitchell tell us about their experiences building new stand alone studio spaces in their backyards. They tell us everything they learned,…
July 14, 2021, 09:12 AM
https://www.provideocoalition.com/new-audio-design...
SoundOn, the company formerly known as Audio Design Desk, announces Audio Design Desk 1.7, with Assistive A.I., to empower creatives to craft complete productions at the speed of thought. First introduced, officially, at NAB 2020, Audio Design Desk was first revealed at NAMM 2020 mid-January that year, offers real-time audio to video sound editing using [...]Read More...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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