It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 16, 2017, 01:26 PM
http://www.rotoscopers.com/2017/12/16/animation-ad...
Jump onboard The Polar Express (2004). Chelsea and Morgan are joined by Pablo Ruiz for this festive ride down holiday line on! -You comin’?
December 14, 2017, 06:15 PM
http://lesterbanks.com/2017/12/working-arnold-ambi...
Academic Phoenix Plus Helps Us Discover Arnold Ambient Occlusion Shader Along With Practical uses Monica, aka Academic Phoenix, posts a look into working with the Arnold Ambient Occlusion Shader. Ambient Occlusion in rendering can be The Post Working With Arnold Ambient Occlusion Shader originally appeared and published on %%BLOGLINK%,by lesterbanks
December 13, 2017, 12:51 PM
http://lesterbanks.com/2017/12/cut-layers-using-se...
Motion Science Shows How You Can Use Fewer Layers in After Effects by Using the Set Matte Effect Even seasoned After Effects users sometimes have to be reminded of the set matte effect. Using a The Post Cut Down On Your Layers Using Set Matte originally appeared and published on %%BLOGLINK%,by lesterbanks
December 13, 2017, 12:51 PM
http://lesterbanks.com/2017/12/creating-selectable...
Jarred Love Shows How You Can Create Rig Controls Using a Deformable Curve Rigging Artist and Technical Animator, Jarred Love covers creating what he calls “dependent shapes.” a method he uses for deforming control points The Post Creating More Selectable Rig Controls in Maya originally appeared and published on %%BLOGLINK%,by lesterbanks
December 12, 2017, 01:57 PM
http://lesterbanks.com/2017/12/working-depth-field...
Mograph Plus Looks at the Intricacies Involved for Rendering Depth of Field With Arnold in Maya Depth of field (DOF) is one of those tricky things to work with in rendering. You need to know The Post Working With Depth of Field in Arnold originally appeared and published on %%BLOGLINK%,by lesterbanks
December 12, 2017, 06:26 AM
http://www.btlnews.com/featured/annie-award-nomina...
Production Categories Best Animated Feature Captain Underpants: The First Epic Movie DreamWorks Animation Cars 3 Pixar Animation Studios Coco Pixar Animation Studios Despicable Me 3 Illumination The Boss Baby DreamWorks Animation Best Animated Feature-Independent In This Corner of the World Taro Maki, GENCO, Inc. and Masao Maruyama, MAPPA Co., Ltd Loving Vincent BreakThru Films, […] The post Annie Award Nominations 2018 appeared first on Below the Line.
December 11, 2017, 06:26 PM
https://www.awn.com/news/canadian-animation-pionee...
The National Film Board of Canada announced the death of Canadian film and animation legend Grant Munro Dec. 9 in Montreal at the age of 94.
December 11, 2017, 12:50 PM
http://lesterbanks.com/2017/12/give-c4d-scenes-amb...
Daniel Danielsson Shows How to Use Arnold’s Atmosphere Volume Shader to Add More Drama in a Render Arnold 5 has pushed subsurface scattering to new heights in recent point releases. Rendering atmospheric effects with Arnold The Post Give Your C4D Scenes More Ambiance With Arnold Atmosphere originally appeared and published on %%BLOGLINK%,by lesterbanks
December 11, 2017, 12:50 PM
http://lesterbanks.com/2017/12/luis-martinez-ik-so...
Part Experiment, Part Necessity, Luis Martínez Documents How His Custom After Effects IK Solver Works Both FK (forward kinematics) and IK (inverse kinematics) are an essential part of any rigging for animation. Typically thought of The Post Watch Luis Martínez Make His Own IK Solver in After Effects originally appeared and published on %%BLOGLINK%,by lesterbanks
December 11, 2017, 12:50 PM
http://lesterbanks.com/2017/12/create-custom-aovs-...
Adrian Cruceru Covers How to Step Outside of Predefined Outputs to Create Your Own Custom AOVs Redshift Rendering Technologies’ Technical Support Specialist, Adrian Cruceru walks through creating your own custom AOVs. With one example, Adrian The Post How to Create Custom AOVs With Redshift in Maya originally appeared and published on %%BLOGLINK%,by lesterbanks
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.