To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Cutting Edge Smashes Marvel Project Render Farms

December 18, 2015, 05:44 PM

http://www.content-technology.com/asiapacificnews/...

Since 1992, Cutting Edge has built a string of studios that employs over 150 artists and reaches from Brisbane to Sydney. Like most professional shops they can do it all: films (Predestination, The Age of Adaline); commercials and TV series, including Powers, PlayStation Network’s first scripted show that’s based on Marvel’s graphic novel series. What they couldn’t do was run all render requests off a single dispatcher, and the minutes kept adding up.

axisVFX Delivers Effects for 2015 BBC ‘Doctor Wh

December 18, 2015, 05:43 PM

http://www.awn.com/news/axisvfx-delivers-spectacul...

axisVFX completes more than 120 visual effects shots for the Christmas day broadcast of ‘Doctor Who’ on BBC One.

CoSA VFX : retour sur les effets de la série Goth

December 18, 2015, 07:13 AM

http://www.3dvf.com/actualite-15429-cosa-vfx-retou...

The studio CoSA VFX video talks about his work on the series Gotham, launched last year. This is a case study for The Foundry: MODO, MARI NUKE and are mentioned several times.

Kids Build VFX Company, I Send Tachyon Beam Back i

December 17, 2015, 01:13 PM

http://www.provideocoalition.com/kids-build-vfx-co...

This is interesting, two boys, Ben and Alex, 11 and 13 respectively, are making, and selling, their own Star Wars inspired plug-ins, with the help of their dad who’s a developer. They’ve got light sabers and blasters, as well as some “space wipes”. The plug-ins run in FCP, Motion, AE and Premiere. I’m posting this and hope the message, via modulated tachyon pulse, can travel back in time thirty years to let my 13 year-old self know that in the future, kids will not only make their...

KIDS CREATE STAR WARS INSPIRED VFX PLUGINS

December 17, 2015, 10:39 AM

http://videoandfilmmaker.com/wp/index.php/news/888...

long time ago, in a galaxy not unlike this one – actually it was this galaxy and it wasn’t exactly that long ago – a little film called Star Wars was released and it changed the way visual effects (and even sound effects) are made.

Oblique FX Delivers Visual Effects for SicariTitle

December 17, 2015, 09:43 AM

https://www.aotg.com/oblique-fx-delivers-visual-effects-for-sicarititle/

Oblique FX created 123 visual effects shots for Sicario, the latest film from director Denis Villeneuve. Oblique FX, the main visual effects vendor on the project, contributed CG vehicles, set extensions, blood and wound effects, and, in one grisly scene, mutilated bodies hanging from a bridge - all indistinguishable from the live action elements in the film.

#vfx
Introducing the Big Three: Spectra, Chroma & Mytho

December 16, 2015, 01:10 PM

http://tracking.feedpress.it/link/9766/2186834

Find just the right look for your project with the new "Big Three" Video Filters Collections. Filters 3 Spectra, Filters 3 Chroma and Filters 3 Mythos offer 7 effects in each with more than 70 presets to help you quickly get the look you need. Let's take a look at what each Filters volume has to offer...

Pouring Viscous Liquids With RealFlow

December 16, 2015, 01:09 PM

http://lesterbanks.com/2015/12/pouring-viscous-liq...

Dusan Marjanovic walks through working with creating a pouring effect with Viscous liquids in RealFlow. The Post Pouring Viscous Liquids With RealFlow originally appeared and published on %%BLOGLINK%,by lesterbanks

Working With Adobe Fuse and Cinema 4D & Photoshop

December 16, 2015, 10:18 AM

http://lesterbanks.com/2015/12/working-with-adobe-...

Sean Frangella shares an in-depth look at working with Adobe Fuse and Cinema 4D The Post Working With Adobe Fuse and Cinema 4D & Photoshop originally appeared and published on %%BLOGLINK%,by lesterbanks

Working with Adobe Fuse, Cinema4D, and Photoshop

December 16, 2015, 10:17 AM

http://lesterbanks.com/2015/12/working-with-adobe-...

With the latest release of Adobe Creative Cloud, Flash was nowhere to be seen, but a new preview took the spotlight. Adobe Fuse is a new desktop application, with a cloud component that will allow you to create, dress, and animate 3D characters to place them in your work.

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