To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The Sound FX Madman Behind Looney Tunes

February 1, 2016, 06:38 AM

http://dangerousminds.net/comments/the_sound_effec...

Tregoweth Edmond “Treg” Brown was the genius sound-effects wizard responsible for sound editing the Warner Brothers’ Looney Tunes and Merrie Melodies cartoons starting in 1936.

Cutting for Meaning and Impact

February 1, 2016, 06:38 AM

http://sevencamels.blogspot.ca/2016/01/cutting-for...

Often, when we talk about cutting in film, we think about cutting as a way to expand time (using lots of cuts to stretch out an important event) or contract time (cutting to skip over lengthy, boring unnecessary moments in the story).

Flooby Nooby: Animating Art - 1987 Documentary

February 1, 2016, 06:38 AM

http://floobynooby.blogspot.ca/2016/02/animating-a...

Arthur Harold Babitsky (October 8, 1907 – March 4, 1992), better known as Art Babbitt, was an American animator, best known for his work at The Walt Disney Company. He received over 80 awards as an animation director and animator, and also developed the character of Goofy. Babbit began his career in New York City working for Paul Terry's Terrytoons Studio. But in the early 1930s he moved to Los Angeles followed by his fellow Terrytoon colleague Bill Tytla, and secured a job animating for the W...

Weta Workshop talks to astronaut Kjell Lindgren

February 1, 2016, 06:37 AM

https://www.aotg.com/weta-workshop-talks-to-astronaut-kjell-lindgren/

For Weta Workshop's most enthusiastic space fans, this was a once-in-a-lifetime opportunity; a chance for a group of artists and technicians so often tasked with bringing imaginary Science-fiction and fantasy worlds to life to ask all of their burning questions to Kjell Lindgren aboard the International Space Station...

Tomorrowland Vfx Breakdown

February 1, 2016, 06:37 AM

http://www.cgmeetup.net/home/tomorrowland-vfx-brea...

Industrial Light & Magic: The Visual Effects of Brad Bird’s ‘Tomorrowland’ – Here we revisit the effects work that ILM’s global team contributed to the film. As the first-ever film finished and released in 4K high dynamic range, the work on the film presented numerous challenges not the least of which was creating the city of Tomorrowland itself in a manner that would match into a much broader palette provided by the Dolby Vision HDR format.

Media Composer 101 - ADVANCED - Multicam Editing i

January 31, 2016, 02:12 PM

http://www.provideocoalition.com/media-composer-10...

In this lesson, Kevin P McAuliffe takes a specific look at Multicam editing with the new Waveform Sync option, and how super easy it is to multicam edit, even if you have no matching timecode on any of your streams.

Save Multiple Effects as Presets in #FCPX

January 31, 2016, 02:11 PM

https://www.aotg.com/save-multiple-effects-as-presets-in-fcpx/

In this Advanced tutorial for Apple Final Cut Pro X, we learn how to use the save effects and multiple effects as a single preset for our library of audio and video effects to be used later in the same library or a different project entirely. We also learn how to delete these presets in Finder.

Week in Premiere 1/29/16

January 31, 2016, 10:57 AM

http://www.premierebro.com/weekinpr/week-in-premie...

Premiere Pro Week in Review: Premiere Pro CC 2015.2 Update • Premiere Pro at Sundance 2016 (Part 2) • Screenlight Marker Import Add-on • Premiere Bro is going to Editors Retreat

#premiere pro#news#screenlight#sundance#editors retreat
Macros for Audio Production – Automating Your Wo

January 31, 2016, 07:32 AM

http://designingsound.org/2016/01/macros-for-audio...

This article was born out of an idea for a GDC audio ta […]

The Colonie's Bob Ackerman Cuts Toyota Campaign

January 30, 2016, 09:35 PM

https://www.aotg.com/the-colonies-bob-ackerman-cuts-toyota-campaign/

Burrell Communications partnered with editor Bob Ackerman, and the team at The Colonie, on a multi-platform campaign introducing Toyota's 2016 RAV4 Hybrid. The integrated series of broadcast commercials, web spots and video vignettes features Keegan-Michael Key (‘MADTV,’ ‘Comedy Central,’ ‘Key & Peele’ and ‘Playing House’) as a wacky yet well-informed driving instructor determined to shatter his skeptical students' misconceptions about hybrid vehicles.

#editing#postproduction#visual fx#the colonie#bob ackerman#broadcast commerical#web spots

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