To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Makeup Artist 3 for FCP X, Premiere Pro, AE and Mo

January 20, 2016, 10:26 AM

https://fxfactory.com/blog/after-effects/makeup-ar...

Plugins are designed to make your talent look their best using new smoothing algorithms and refined skin selection techniques.

Peter Jackson resign as Weta Workshop director

January 20, 2016, 10:26 AM

http://www.stuff.co.nz/business/75986534/health-an...

New health and safety legislation has forced Sir Peter Jackson to resign as a director of Weta Workshop.

Southpaw Breakdown

January 20, 2016, 10:26 AM

https://www.aotg.com/southpaw-breakdown/

This is "Southpaw_Breakdown" by zerovfx...

Video Devices Brings Focus at KMOV Studios

January 20, 2016, 07:45 AM

https://www.aotg.com/video-devices-brings-focus-at-kmov-studios/

Monitor Provides Seamless Workflow Integration Even in Harshest Production Environments

Beverly Hills CA – 14th Annual VES Awards

January 20, 2016, 05:47 AM

http://feedproxy.google.com/~r/industryhappenings/...

The VES Awards recognizes and honors the most outstanding visual effects work of the year and honors the artists who created them. 14th Annual VES Awards Ceremony: Tuesday, February 2, 2016 The Beverly Hilton Hotel 9876 Wilshire Blvd. Beverly Hills, California 90210 5:30 Reception 6:45 Dinner and Awards Presentation CLICK HERE FOR INFO AND TICKETS

MAXON to Host Free Fluid Simulation Webinar Januar

January 20, 2016, 05:46 AM

http://www.awn.com/news/maxon-host-free-fluid-simu...

MAXON is set to present the company’s new free webinar, “Basic Fluid Simulation Workflow with Cinema 4D & RealFlow,” on January 28, at 4:30 PM Central.

Vahan Sosoyan releases Aton for Nuke

January 20, 2016, 05:46 AM

http://www.cgchannel.com/2016/01/vahan-sosoyan-rel...

Framestore lighting TD Vahan Sosoyan has released Aton, a free ‘Arnold to Nuke display plugin’ that makes it possible to render using Arnold directly into Nuke’s user interface.

Review Of TrainYourEars EQ Edition 2.0

January 20, 2016, 05:46 AM

https://www.aotg.com/review-of-trainyourears-eq-edition-2-0/

In this video review Dan Cooper takes a ver quick look at a cool training app that promises to help people develop better skills in hearing and understanding frequencies. Watch the video to find out what he thinks.

The year of Hollywood’s practical effects comeba

January 19, 2016, 07:12 PM

http://www.theverge.com/2015/8/4/9094383/practical...

The biggest set piece in Mission: Impossible — Rogue Nation is also its first scene. We’ve all seen it in the trailers: a frantic but determined Ethan Hunt (Tom Cruise) clutches the side of an Airbus A400 for dear life as it takes off into the stratosphere. While the scene itself is only tangentially related to the overall plot of the movie, Paramount made sure this was the scene that got people into theaters. A large part of this strategy was broadly publicizing the fact that it wasn’t fa...

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