To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Avid Scores Major Avid EveryWhere Win with Sinclai

January 8, 2016, 01:21 PM

http://www.videoguys.com/blog/news-and-sales/avid-...

For the past few years Avid has been singing the Avid Everywhere mantra. An all encompassing strategy that puts Avid as the foundation and cornerstone for cloud based, enterprise wide content creation, collaboration, media management, storage, archiving and monetization. This new 10-year deal with Sinclair standardizing all 64 of its TV News stations gives Avid a big Read More The post Avid Scores Major Avid EveryWhere Win with Sinclair Partners appeared first on Videoguys Blog.

How to Combine Exposures Using Simple Masking in P

January 8, 2016, 01:21 PM

https://www.aotg.com/how-to-combine-exposures-using-simple-masking-in-p/

In this video, I quickly describe how use Photoshop to create a composite of a properly exposed image of a subject shot in front of a sunset without using a flash. The images in the video were taken within seconds of each other, using a tripod. One image was taken to properly expose the truck while the other was taken to properly expose the sky.

Week in Premiere 1/8/16

January 8, 2016, 11:45 AM

http://www.premierebro.com/weekinpr/week-in-premie...

Premiere Pro Week in Review: Free Premiere Pro Edit Template • • Premiere Pro CC 2015.1 Tips and Tricks • Archive Premiere Pro Projects with After Effects • How to Color Correct a Moving Object

#premiere pro#tutorials#news#tips#week in premiere
Use the Puppet Tool in After Effects to Add Life t

January 8, 2016, 10:39 AM

http://www.premiumbeat.com/blog/use-the-puppet-too...

Add subtle animation and bring your designs to life with the Puppet tool in After Effects. Here's everything you need to know.

AMPS announces 'film sound' nominees

January 8, 2016, 10:38 AM

http://www.postmagazine.com/Press-Center/Daily-New...

LONDON — The Association of Motion Picture Sound (www.amps.net) has announced the nominations for its 3rd annual award for “Excellence in Sound for a Feature Film.” Five films exhibited in 2015 were selected by an AMPS Awards Committee, from which leading sound crew members (production sound, sound editing and re-recording) were nominated for the award. The winner will be announced online on February 8th.

Contender – VFX Supervisor Andrew Jackson, Mad M

January 8, 2016, 10:38 AM

http://www.btlnews.com/awards/contender-vfx-superv...

While much has been said about the stunning practical special effects of George Miller’s post-apocalyptic action film Mad Max: Fury Road, shot largely in South Africa and the Namibian desert, for visual effects supervisor Andrew Jackson, one of the best compliments is when people don’t even realize that what they are watching is, in fact, computer generated imagery. The post Contender – VFX Supervisor Andrew Jackson, Mad Max appeared first on Below the Line.

How To Update Your System To Raven 3.0 Software

January 8, 2016, 10:38 AM

https://www.aotg.com/how-to-update-your-system-to-raven-3-0-software/

In this video James is joined by Matt Dodge from Slate Digital via Skype to take you through the upgrade process to Raven 3.0 for the Raven MTi, MTi2 and MTX. Sometime we get worried about updates when we hear that you have to uninstall X and reinstall Y.

Golden Globe Nominees for Best Animated Film

January 8, 2016, 10:37 AM

http://www.wheretowatch.com/2016/01/get-know-your-...

Yesterday we delighted and thrilled you with two Golden Globe primers to make you the toast/scourge of your friends and/or family. Our primer for the Best Motion Picture, Drama and Best Motion Picture, Musical or Comedy categories were designed to give you the tools (in the form of interviews we've done with the below-the-line artists who helped make those films great) to sound like a cinematic savant.

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