It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 29, 2015, 01:42 PM
http://www.premiumbeat.com/blog/how-to-get-hired-a...
There are many outlets for employment in the video production industry, it's simply a matter of positioning yourself so you are visible and well-represented to employers.
December 29, 2015, 01:42 PM
http://lesterbanks.com/2015/12/custom-aovs-and-obj...
Learn how you can use custom AOV's and Object Masks in your workflow with Arnold for Cinema 4D. The Post Custom AOVs and Object Mask in Arnold For Cinema 4D originally appeared and published on %%BLOGLINK%,by lesterbanks
December 29, 2015, 01:42 PM
http://www.videoguys.com/blog/news-and-sales/avid-...
Do you may own Avid Media Composer 7 or earlier without an Upgrade & Support plan? This notice is to advise you that you may be eligible for a limited-time Avid Media Composer Upgrade & Support Program allowing you to add an Upgrade & Support plan to your older version of Media Composer. To be Read More The post Avid Media Composer Upgrade & Support Program (7.0 or older) Ends December 31 appeared first on Videoguys Blog.
December 29, 2015, 01:42 PM
http://www.videoguys.com/blog/guides/video-tutoria...
Our good friend Kevin P McAuliffe has posted a new series of Avid Media Composer tutorials on the Avid blogs that focus on how to improve your high-res workflows when you edit in Media Composer. In this series he walks us through setting your project and timeline, transcoding and linking, working with FrameFlex and LUTs, using custom frame Read More The post Avid Media Composer High-Res Workflows Tutorials appeared first on Videoguys Blog.
December 29, 2015, 01:42 PM
http://www.latimes.com/entertainment/envelope/la-e...
Film editor Fred Raskin recalls the evening of April 19, 2014, when he and more than a thousand other guests witnessed something special: a live reading inside the Theatre at Ace Hotel in downtown Los Angeles. The production being presented? The script for Quentin Tarantino's "The Hateful Eight," which the director was staging live because it had already been leaked online and he refused to make the film as a result. "He was really heated about it," actor Samuel L. Jackson told The Envelope. Tha...
December 29, 2015, 01:41 PM
http://www.creativeplanetnetwork.com/news/edit/joy...
Joy editors Jay Cassidy and Alan Baumgarten speak to Deadline about their work on David O. Russell's latest film. "David approaches the whole process as a writer," says Cassidy. "He writes the script. When he's shooting he's constantly rewriting with the actors as they find the characters and in the editing he very much rewrites certain aspects of the story. And he's learned as a director on the set not to box himself into corners."
December 29, 2015, 01:41 PM
https://www.aotg.com/horizons-look-a-ilm-and-vfx-part-1/
BBC's Horizon looks at ILM and visual effects. This show is from 1985 and is a true gem. I thought it would be important and educational to show the interesting bits of the show, focusing on subjects such as optical printing, matte painting and even rotoscoping.
December 29, 2015, 01:41 PM
https://www.aotg.com/jurassic-world-visual-effects/
'Jurassic World' Visual Effects Supervisor Tim Alexander joins Variety’s David Cohen to reveal how Industrial Light & Magic brought the dinosaurs of “Jurassic World” to life using performance capture a technique never used on previous 'Jurassic' films.
December 29, 2015, 01:41 PM
http://qz.com/579185/virtual-reality-filmmakers-ar...
The stereotype goes that when directors are figuring out how to frame a shot, they extend their arms, create a rectangle using their thumbs and index fingers, and peer through that box. And because movies and TV shows have traditionally been viewed on one kind of box or another, the process provides a rough gauge of what the scene will look like.
December 29, 2015, 09:15 AM
http://lesterbanks.com/2015/12/get-the-after-effec...
A new After Effects tool lets you paint directly in your composition, and stick the painted elements right on your 3D Layers. The Post Get the After Effects “Paint & Stick” Beta While You Can originally appeared and published on %%BLOGLINK%,by lesterbanks
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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