To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Review: iZotope RX 5

December 15, 2015, 06:45 AM

http://www.audiomediainternational.com/broadcast/r...

"Any chance you could fix a problem we’ve got with the sound?” It’s a phrase that makes me feel slightly faint and sick inside and normally comes from the mouth of a filmmaker or a student. Or a student filmmaker.

James' Live Pro Tools Playback Rig

December 15, 2015, 06:45 AM

https://www.youtube.com/watch?v=A-vDlzc696U

In this video James shows us around his LIVE Pro Tools rig featuring Pro Tools 11 running on a Mac Book Pro and using the Audient iD22 audio interface. He shows us the main backing track session for his band "The Talent" and how he can easily manipulate the tracking in real time if needs be.

metadata management delivery thoughts: Export, Imp

December 15, 2015, 06:45 AM

https://blogs.creativecow.net/blog/13928/metadata-...

I recommend keeping the custom column names to a minimum if possible. The Avid allows all sorts of different custom columns naming conventions. Keep in mind that the naming conventions for custom columns can create results upon import like all lower case. If custom column name is too long,on a PC a custom column end can get truncated with a bullet symbol that seems to contain a few spaces as characters in the form of one character place. On a Mac there seems to be just a truncate of the end char...

Secrets of the VFX studio behind Star Wars

December 15, 2015, 06:45 AM

http://www.creativebloq.com/3d/40-years-ilm-121518...

One of the biggest 3D movies of 2015, the seventh Star Wars film is scheduled for release this Thursday, and it's sure to be packed with amazing effects, courtesy of Industrial Light & Magic (ILM). It's a fitting end to a year in which the studio has been celebrating an astonishing 40 years in the business.

Game Audio Hour 087

December 15, 2015, 06:45 AM

https://www.youtube.com/watch?v=KDF4RiDeoIY

A weekly podcast where we discuss all things game audio. From creative ideas to the latest techniques, project experiences to audio secrets. Here is where you'll find in-depth coverage and opinions related to game audio.

BulletFX 3.0 se met à jour : FLIP daemons et solv

December 15, 2015, 06:45 AM

http://www.3dvf.com/actualite-15384-bulletfx-3-0-s...

The physical plugin BulletFX 3.0 for 3ds Max gets a Extension 1, which brings several new features: variable viscosity in a fluid, FLIP Daemons, a new solver for the foam / froth stability.

Father/son mixing team join Sony Pictures

December 14, 2015, 07:55 PM

http://www.postmagazine.com/Press-Center/Daily-New...

CULVER CITY, CA — Father and son re-recording mixers Michael and Christian Minkler have joined the sound team at Sony Pictures Post Production Services (www.sonypictures.com). The Minklers, who mixed the current Columbia Pictures release Concussion in Sony Pictures’ Burt Lancaster Theatre, have been working at the studio since last year, but are now formally a part of the team. Most recently, the pair collaborated on Quentin Tarantino’s upcoming film,  The Hateful Eight.

News: SoundToys “Give a Little, Get a Little”

December 14, 2015, 07:55 PM

http://designingsound.org/2015/12/news-soundtoys-g...

Want to score some excellent plugins from perennial fav […]

Deluxe’s Stereo D Is 3D-Converting Three Star Wa

December 14, 2015, 07:54 PM

http://www.studiodaily.com/2015/12/star-wars-3d-co...

Stereo D, a subsidiary of Deluxe Entertainment Group, said today that it has a commission from Lucasfilm and The Walt Disney Studios to convert three Star Wars film releases to stereo. The films covered by the agreement are: Star Wars: The Force … more » The post Deluxe’s Stereo D Is 3D-Converting Three Star Wars Movies appeared first on Studio Daily.

Little Cindy Lou Who Animation

December 14, 2015, 07:54 PM

http://directedbychuckjones.tumblr.com/post/135210...

The official Tumblr of Chuck Jones, the four-time Academy Award recipient and legendary animated film director and creator.

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