To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Distinción a Miguel Pérez

November 24, 2015, 05:08 PM

http://www.edaeditores.org/distincion-a-miguel-per...

Queremos felicitar a nuestro Socio Honorario 2014 Miguel Pérez (SAE) (EDA) por su excelencia como maestro: fue distinguido esta semana con el premio CILECT Teaching Award 2015 en reconocimiento a su dedicación docente a nivel internacional. El CILECT (Asociación Internacional de Escuelas de Cine y TV), prestigioso organismo que reúne a más de 160 escuelas […]

Review: Video CoPilot’s Element3D v2.2

November 24, 2015, 05:08 PM

http://postperspective.com/review-video-copilots-e...

Improved UI, shadows, reflections and more By Brady Betzel If you’ve read my past reviews, you likely know how much I love Video CoPilot’s Element 3D. I can’t stop talking about it, in my reviews, at work, on social media, or even at home with my four-year-old son, who typically responds with, “Can it make Thomas the Train?” Luckily, I am able to respond, “Yes, as long as daddy has a Thomas 3D model.” I’ve been using Element 3D, which is currently in v2.2, since v1. I have...

Eps. 49 - Realflow team from Next Limit

November 24, 2015, 05:08 PM

http://www.allanmckay.com/49/

Next Limit are the creators of industry standard water simulation software ‘Realflow’ – based out in Madrid, Spain. This episode is with the development team at Next Limit, including NL’s CEO Victor Gonzalez, Luis Miguel More, Ivan Alduan, Alex Ribao, Angel Tena and Gus Sanchez.

Pixar Decided To Take Toy Story 4 in a Different D

November 24, 2015, 05:08 PM

http://www.slashfilm.com/toy-story-4-comments/

Toy Story 3 brought Pixar‘s flagship series to an emotionally resonant and thematically sound conclusion, solidifying the the series’ place as a landmark in modern animation and filmmaking. So let’s just be totally honest here: Toy Story 4 can’t help but feel a little redundant. What else do these characters have to say?

After Effects Hidden Gems Weekly: Roving Keyframes

November 24, 2015, 01:32 PM

http://www.provideocoalition.com/after-effects-hid...

Normally, a Position keyframe in After Effects defines a time, and the position value at that time. This can get unwieldy when you create a complex motion path - such as following a map or maze, or hand-tracing a path with Motion Sketch - and then want to finesse the timing of that path later, as you often have to tweak the timings of a lot of keyframes to create a smooth end result. As it turns out, there’s a little-known function inside After Effects called Roving Keyframes where the t...

Ease Expression: Creating Keyframe-less Animations

November 24, 2015, 01:31 PM

https://www.rocketstock.com/blog/ease-expression-c...

In some situations, you may need to incorporate an animation into an expression to reduce the use of keyframes. You can achieve this with the Ease Expression, a surprisingly simple and versatile expression.

A Tale of Two Mockingjays Editing the Hunger Games

November 24, 2015, 01:31 PM

https://library.creativecow.net/wilson_tim/Hunger-...

So as we tell the story of Alan Bell, ACE and Mark Yoshikawa, ACE editing The Hunger Games: Mockingjay – Part 2, let's start with the very first edit decision made by director Francis Lawrence: making the third book of Suzanne Collin's written trilogy as two films.

Sound Devices, LLC Announces Comprehensive Update

November 24, 2015, 10:43 AM

https://www.aotg.com/sound-devices-llc-announces-comprehensive-update/

Sound Devices, LLC, which includes its video-products brand Video Devices, announces firmware version 2.20 for its full suite of rack-mount solutions

Eddie Hamilton - Mission Impossible - Rogue Nation

November 24, 2015, 10:36 AM

http://www.aotg.com/index.php?page=cuttingroom_180

Gordon sits down with Eddie Hamilton to discuss the editing process of Mission: Impossible - Rogue Nation. If you haven't seen the film yet, go rent it and then listen to this episode. We discuss many topics that lead to many potential spoilers.

#editor#mission impossible#eddie hamilton#rogue nation
Contender – Editor Nathan Nugent, Room

November 24, 2015, 10:32 AM

http://www.btlnews.com/awards/contender-editor-nat...

According to Nathan Nugent, editor of Room, director Lenny Abrahamson is always open to changes on set. He had plans for how a scene was going to work, but he did not storyboard every scene. Rather he trusted the actors and their organic movement, taking how they work as a key. The post Contender – Editor Nathan Nugent, Room appeared first on Below the Line.

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