To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Sid Lee Grows with EditShare

November 19, 2015, 08:02 PM

http://www.creativeplanetnetwork.com/news/post/sid...

Sid Lee conducts post-editing work in its offices all around the world. To efficiently manage any given project, we need access to all our resources—both human and technical—regardless of geographic location. In 2015, we expanded our postproduction infrastructure, taking project and media sharing across offices to a whole new level.

Boston's Zero VFX opens West Coast studio

November 19, 2015, 02:56 PM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — Boston-based VFX/creative studio Zero VFX (www.zerovfx.com) has opened a new West-Coast operation in Venice Beach, CA. The 5,000-square-foot office further strengthens the studio’s film operations and helps expand its commercial business.

The 2015 Holiday Buying Guide for the Pro Audio Cr

November 19, 2015, 02:55 PM

http://www.provideocoalition.com/the-2015-holiday-...

Choosing the perfect holiday gift for someone special is never easy. It is even more difficult when that special person is a musician. You’ve seen their studio and have no idea what all the knobs and lights do. You smile and nod as they roll around flicking switches to play you their latest project. What do you get for that creative mind? The holidays are stressful enough. Let us help you out with this one.

AE 3D Showdown: Cineware vs. Element 3D

November 19, 2015, 02:55 PM

https://www.rocketstock.com/blog/after-effects-3d-...

Adding 3D objects into a scene can be a pain, especially when you just need something simple like an extruded 3D title. Thankfully, software released over the past few years has simplified this process by implementing it into Adobe After Effects, a more familiar platform for many users.

Peter Doyle: Supervising Visual Colourist at Techn

November 19, 2015, 02:55 PM

https://library.creativecow.net/cow_news/FilmLight...

Peter Doyle is one of film industry's most distinguished supervising colourists, performing magic when colour grading for Academy Award-winning cinematographers and directors such as Andrew Lesnie and Bruno Delbonnel, Peter Jackson and Tim Burton to name a few.

Alex4D Animation Transitions Released on FxFactory

November 19, 2015, 02:55 PM

https://news.creativecow.net/story/880226

(Boston, Massachusetts--November 19, 2015) Independent developer Alex Gollner has introduced Alex4D Animation Transitions, his brand new plugin pack for Apple's Final Cut Pro X video editing software. Alex4D Animation Transitions is a kit that editors can use to instantly animate video clips, graphics, pictures and text. It allows users to use animation add character to logos, titles and other story elements in the Final Cut Pro X timeline.

AJA Announces Pak-Adapt-CFast at Inter BEE 2015

November 19, 2015, 12:46 PM

https://www.aja.com/en/news/top-stories/401

Chiba, Japan, Inter BEE Conference Hall 4, Booth #4206 (November 18th, 2015)—AJA Video Systems today introduced Pak-Adapt-CFast, a low-cost media adapter that allows AJA CION, Ki Pro Ultra and Ki Pro Quad users to record to CFast media.

AJA Releases Ki Pro Ultra 4K/UltraHD/2K/HD Recorde

November 19, 2015, 12:46 PM

https://www.aja.com/en/news/top-stories/391

Chiba, Japan, Inter BEE Conference Hall 4, Booth #4206 (November 18th, 2015)—AJA Video Systems today introduced the Ki Pro Ultra – a next generation file-based 4K/UltraHD and 2K/HD video recorder and player with a built-in HD LCD monitor. Ki Pro Ultra is capable of capturing edit-ready 4K (4096 x 2160), UltraHD (3840 x 2160), 2K (2048 x 1080) and HD (1920 x 1080) Apple ProRes files. Ki Pro Ultra also supports a range of video formats and frame rates up to 4K 60p, and offers flexible input an...

AJA Releases New openGear®-Compatible Rack Cards

November 19, 2015, 12:46 PM

https://www.aja.com/en/news/top-stories/396

Chiba, Japan, Inter BEE Conference Hall 4, Booth #4206 (November 18th, 2015)—AJA Video Systems today released three new models to its range of openGear-compatible video and audio rackframe cards, supporting single channel SDI-to-Fiber and Fiber-to-SDI conversion. The new openGear-compatible cards from AJA include the OG-FIBER-TR, OG-FIBER-T, and OG-FIBER-R. openGear is an open-architecture, modular frame system designed by Ross Video and supported by a diverse range of terminal equipment manuf...

TECH TALK - Media Composer: Color Space Management

November 19, 2015, 12:08 PM

https://www.aotg.com/tech-talk-media-composer-color-space-management/

For all Media Composer users, learn how to overcome common color space challenges by examining RGB and 601/709 color mapping. Learn how to properly represent and maintain color values when importing, exporting, or linking to sources. And recognize the differences when media is displayed on source, record, and client monitors.

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