It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 8, 2021, 08:52 AM
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June 7, 2021, 09:25 AM
https://www.creativebloq.com/features/how-to-bring...
The world of animation traditionally has sets of tools devoted to 2D or 3D. In recent years, with the advancement of technology, the barriers between 3D and 2D have been broken down. More and more 3D animators have found ways to create 2D animations on the basis of 3D skills. Here, I'll explore how to create animations with both 3D and 2D tools.
June 7, 2021, 09:24 AM
https://www.artofvfx.com/oxygen-making-of-by-mac-g...
Director Alexandre Aja and VFX Supervisor Thierry Onillon talk about the visual effects work made by Mac Guff on the French Netflix movie, Oxygen...
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