It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 19, 2015, 12:43 PM
https://www.aotg.com/working-with-multichannel-audio-in-fcpx/
Audio is a world of unmentionable demons and seemingly no where to learn it. In our "Audio Basics in Final Cut Pro X”, Larry looks at basic audio techniques for Final Cut Pro X. He starts by explaining key audio terminology that is true for all editing systems. Then, he opens Final Cut to demo these concepts.
October 19, 2015, 12:43 PM
http://www.broadcastbeat.com/newblue-releases-new-...
New Kinetic and Fluid motion packs make motion graphics accessible for any editor with remarkable new text and image animations in Titler Pro. Production-proven video special effects, transitions and titling technology company NewBlue®, Inc. announced the release of the Kinetic and Fluid motion packs for their popular video titling software plugin, NewBlue Titler Pro™. Providing […]
October 19, 2015, 12:42 PM
https://www.aotg.com/working-with-multichannel-audio-in-premiere/
Audio is a world of unmentionable demons and seemingly no where to learn it. In our "Audio Basics in Final Cut Pro X”, Larry looks at basic audio techniques for Final Cut Pro X. He starts by explaining key audio terminology that is true for all editing systems. Then, he opens Final Cut to demo these concepts.
October 19, 2015, 12:42 PM
http://www.studiodaily.com/2015/10/voiceq-brings-r...
Interested in dubbing movies the European way? Now the North American market has access to Kiwa Digital VoiceQ 2.0, voice synchornization software that borrows the "rythmo band" method favored by the French since the 1920s. VoiceQ is being sold in North … more » The post VoiceQ Brings ‘Rythmo Band’ Dubbing to the U.S. via RSPE Audio Solutions appeared first on Studio Daily.
October 19, 2015, 12:42 PM
http://www.provideocoalition.com/acer-s-new-34-inc...
October 19, 2015, 12:42 PM
http://reaperblog.net/2015/10/track-colors-and-ico...
Coloring tracks and assigning icons is one of the simplest ways to organize your projects. Using a consistent system for coloring tracks makes it easy to identify tracks at a glance, rather than relying on the track name alone.
October 19, 2015, 09:46 AM
http://www.thecredits.org/2015/10/editor-joe-walke...
Joe Walker’s reputation has soared in recent years, from his work with director Michael Mann on the cyber thriller Blackhat (2014), and from his long collaboration with director Steve McQueen on McQueen’s loose trilogy of films dealing with suffering: Hunger (2008), Shame (2011), and 12 Years A Slave (2013), for which Walker received his first Oscar nomination for Best Editing.
October 19, 2015, 09:46 AM
http://www.artofvfx.com/everest-dadi-einarsson-vfx...
During his last visit, Dadi Einarsson talked to us about his work on CONTRABAND. He then worked on films such as THE DEEP, BOARDWALK EMPIRE and GRAVITY. Framestore Reykjavik also became independant and is now called RVX.
October 19, 2015, 09:44 AM
http://www.premiumbeat.com/blog/how-to-generate-ea...
Lookup tables are one of the most useful tools for editors, colorists, and DPs alike. Here’s how you can generate LUTs in Photoshop in a pinch.
October 19, 2015, 09:44 AM
http://www.btlnews.com/crafts/post-production/nice...
Nice Shoes and Editbar have partnered to offer Nice Shoes’ color grading services to Boston-area clients. Editbar’s creative editors are now directly connected to colorists in New York, Chicago and Minneapolis via Nice Shoes’ proprietary remote services technology. The post Nice Shoes and Editbar Unite Color Grading and Editorial Talents In Boston appeared first on Below the Line.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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