To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Review of Mistika Boutique

June 3, 2021, 08:31 AM

https://lappg.com/2021/06/01/review-of-mistika-bou...

By Francisco Lorite, C.S.I. I’m Francisco Lorite and I’m a colorist in Los Angeles, CA. I started working with color more than 13 years ago, beginning at Technicolor Madrid grading in film. Photochemical process and simplicity were always on my mind and now what we can achieve in Mistika is visually as compelling. I’ve been … Review of Mistika Boutique Read More »

intoPIX delivers JPEG XS Compressed Solutions for Low Latency Video Streaming with NVIDIA GPUs

June 3, 2021, 04:48 AM

https://www.intopix.com/blogs/post/intoPIX-deliver...

Mont-Saint-Guibert, June 03, 2021 – intoPIX, leading expert of innovative video compression solutions, has integrated solutions for JPEG XS & SMPTE 2110-22 for NVIDIA Rivermax-enabled Ethernet NICs. The combination of intoPIX FastTICO-XS GPU SDK with Rivermax provides developers a turnkey solution supporting the new JPEG XS standard. Moreover, the new integration of Rivermax into the NVIDIA DeepStream SDK gives developers all the right tools to create the most exciting video streaming pro...

#video#nvidia#codec#compression#intopix#image#sdk#latency#rivermax
Toyotaro Shigemori’s niko and … WINTER BOOK Shot on URSA Mini Pro 12K

June 2, 2021, 12:12 PM

https://www.blackmagicdesign.com/media/release/202...

Blackmagic Design today announced that renowned cinematographer, Toyotaro Shigemori, used Blackmagic URSA Mini Pro 12K to shoot the web movie “niko and … WINTER BOOK.” The film, which was created as part of an ad campaign for the fashion/lifestyle brand “niko and …” was also graded using DaVinci Resolve Studio.

#blackmagic design#davinci resolve studio#blackmagic raw#pocket cinema camera 4k#ursa mini pro 12k
After Effects & Performance. Part 17: Interview with Sean Jenkin from Adobe

June 2, 2021, 09:21 AM

https://www.provideocoalition.com/after-effects-pe...

There’s good news, and there’s bad news.  Actually, it’s better than that.  For all After Effects users out there, it’s more of a good news / kinda bad news / very good news situation. This is part 17 of a long-running series on After Effects and Performance.  If you’ve followed a link directly here then [...]Read More...

The 5 Most Visually Dark and Cold Films Ever Made

June 2, 2021, 09:21 AM

https://www.premiumbeat.com/blog/visually-dark-col...

Exploring the cinematography and visual aesthetics of some of the coldest, darkest, bleakest movies ever made.

Monogram now offers Final Cut Pro integration via CommandPost

June 2, 2021, 09:21 AM

https://www.provideocoalition.com/monogram-now-off...

Simple. Powerful. Adaptable. A better way to create. Now, thanks to a new update, Monogram Creative Console integrates with Final Cut Pro to make color grading significantly easier. Monogram announced this month that the company worked directly with CommandPost to add incredible functionality between Monograms modular control surface and Final Cut Pro (FCP). The FCP integration with [...]Read More...

Love Death Robots Volume 2 Inside the Animat

June 2, 2021, 09:07 AM

https://www.artofvfx.com/love-death-and-robots-vol...

Creator Tim Miller, Supervising Director Jennifer Yuh Nelson and VFX Supervisor Jerome Denjean are taking us behind the scenes of the new season of Love, Death + Robots in this Netflix making of!

Do We Still Need Fast Glass Adobe Introduces Dep

June 2, 2021, 09:07 AM

https://www.cined.com/do-we-still-need-fast-glass-...

In a recent update to its popular image editing app Photoshop, Adobe has implemented a new feature called Depth Blur (currently in beta).

PowerHouse VFX Expands Production Team with New Hi

June 2, 2021, 09:07 AM

https://www.awn.com/news/powerhouse-vfx-expands-pr...

Alan Precourt named VFX supervisor; Caitlyn Tomasik joins as head of production.

The Mill gives a voice to pets and pool floats in

June 2, 2021, 09:07 AM

https://www.themill.com/newsfeed/the-mill-gives-a-...

We teamed up with Director Harold Einstein of Dummy Films and The Richards Group on a series of charming spots for Orkin Pest Control. In the campaign we see colourful pool floats, a watchful dog, felted lambs and a crescent moon discreetly rave about the dedication and style of an Orkin technician. Our VFX team expertly crafted the characters focusing on refined, elementary movements which mimic stop motion animation.

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