It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 8, 2015, 07:07 PM
http://www.jimwicks.com/a-girl-and-her-digital-col...
There was a time when the job title, colorist, referred to someone who only worked with hair. It still does, only now there’s another kind of colorist in the room – the Digital Colorist.
October 8, 2015, 07:07 PM
http://www.motionelements.com/blog/uncategorized/b...
MotionElements recently sponsored ‘Fix It In Post’, an interesting and insightful event that was hosted in New York on 16th September by Blue Collar Post Collective. We wanted to tell you a little bit more about it…
October 8, 2015, 07:07 PM
http://www.animationmagazine.net/events/world-anim...
Animation Magazine’s World Animation and VFX Summit has unveiled the initial list of industry panelists and guests for this year’s event.
October 8, 2015, 06:11 PM
https://www.aotg.com/the-colonie-provides-editingcgi-for-grubhub-spot/
The Colonie’s editing, visual FX and design capabilities were recently tapped by Tandem Inc. for a comedic live-action/CGI spot for GrubHub. The :30 commercial, entitled ‘Winner Picks Lunch,’ pits two co-workers against each other in fast-paced game of ping pong with high stakes – the winner decides what they will order for lunch. The male co-worker suggests a different type of food with each lob, only to have his suggestions shot down by his colleague as she returns the ball.
#editing#digital#post production#broadcast#visual fx#motion graphics#commercialsOctober 8, 2015, 01:50 PM
https://www.aotg.com/adorama-gears-up-for-photoplus-expo-2015/
Superstar photographer meet-and-greets, big trade opportunities, exclusive first looks at new high-performance gear, one-on-one meetings with Adorama industry experts and best practice photo printing techniques put Adorama on the PPE must-see list
#adorama#adorama pro#photoplus expo 2015#adorama rental company#adoramapixOctober 8, 2015, 01:32 PM
http://www.youtube.com/watch?v=_knO2m6olLU
“Knife in the Water” is a 1962 Polish drama film co-written and directed by Roman Polański, which was nominated for Academy Award for Best Foreign Language Film. It is Polanski's first feature film, featuring three characters in a story of rivalry and sexual tension. http://en.wikipedia.org/wiki/Knife_in_the_Water Kanawha Films Ltd (1962) Jeff Wolf, ACE, worked with director Ted Demme on “The Ref,” “Beautiful Girls,” “Monument Avenue” and “Life.” He also edite...
October 8, 2015, 01:31 PM
https://digitalfilms.wordpress.com/2015/10/08/rock...
Film emulation LUTs (color look-up tables) are always a popular discussion point and I’ve covered a number of the products on the market. Some of these are plug-in effects that include 3D LUT files as part of the package, like Koji, Color Finale, FilmConvert, etc. Others are toolkits with different types of files that are […]
October 8, 2015, 01:31 PM
https://www.rocketstock.com/blog/using-the-fast-co...
When working on a project, you will always need to do some basic color correction, even if it’s simply going out on the web. However, if you’re short on time, there’s a handy tool in Premiere Pro that can kick your color correction into overdrive.
October 8, 2015, 01:31 PM
http://www.firstshowing.net/2015/watch-this-vfx-re...
Even though it may seem like there's barely any visual effects or any CG patching in a dramatic real-world thriller like Sicario, the truth is that there's a great amount of work that goes into finishing a film like this. Denis Villeneuve's Sicario, starring Emily Blunt as a young FBI agent who gets a taste of the Mexican drug wars, is one of my favorite films this year. This breakdown and VFX reel from Oblique FX shows some of the sequences they worked on, and as always it's very fascinating to...
October 8, 2015, 01:28 PM
https://www.aotg.com/t2-computing-hosts-thought-leadership-event/
Forum Presents Key Elements for Making Content Profitable In the New Digital Climate
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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