It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 8, 2015, 10:27 AM
https://www.aotg.com/making-of-canal-licorne/
Découvrez les effets visuels de la campagne Canal+ Licorne.
October 8, 2015, 10:26 AM
https://www.aotg.com/cgi-avengers-age-of-ultron-animatic/
CGI Avengers: Age of Ultron Titles Animatic by Perception
October 8, 2015, 10:26 AM
http://news.doddleme.com/blogs/post-production/ado...
Imagine being able to take a picture of something with your mobile phone, and then through Adobe Creative Sync, send that image to Photoshop, convert it to a 3D model and then print it on a 3D printer. Wouldn’t that be incredible? And speaking of that, Adobe is also promising that in the future, you’ll be able to get rid of those pesky photobombs. That’s just a few of the bleeding edge features that Adobe has given us a peak of this week at Adobe MAX.
October 8, 2015, 10:26 AM
https://www.aotg.com/cgi-avengers-age-of-ultron-montage/
CGI Avengers: Age of Ultron Montage by Perception
October 8, 2015, 10:26 AM
http://www.cgmeetup.net/home/swedish-idol-vfx-brea...
Filmic Art – Breakdown showing how we did the Billboards for Swedish Idol. Everything was made in 3D except filmed girl and car. The crowd was made of low polygon 3d characters. Only five different 3d characters with separate movements were used and duplicated.
October 8, 2015, 04:33 AM
http://www.avidblogs.com/how-avid-helped-to-tell-t...
The article Leading the Line: How Avid Helped to Tell the Story of the Real Wayne Rooney by Julian Nelson appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
October 8, 2015, 04:33 AM
http://designingsound.org/2015/10/review-sonarwork...
Oh The Variables When you consider the variables in pla […]
October 8, 2015, 04:32 AM
https://www.aotg.com/using-luts-in-adobe-premiere-cc-2015/
Collection of 40 look-up-tables (LUTs) that will quickly transform your footage to give it a cinematic look. Each LUT creates a unique look that can be used on it's own or in combination with your traditional color grading workflow. The entire collection of looks was created by Tom Antos to aid in his workflow over the past few years. These original looks have been used in numerous films, music videos and documentaries that Tom worked on.
October 8, 2015, 04:32 AM
http://www.fxguide.com/featured/going-off-model-ho...
One of the biggest challenges faced by Sony Pictures Imageworks' visual effects and animation team on Sony Pictures Animation’s Hotel Transylvania 2 was the unique style of movement that director Genndy Tartakovsky wanted to impart on the characters. Explored also on the first film, this exaggerated motion gave an incredible level of extra effect to the performances, but also meant that the artists could not always run typical physics sims for things like cloth and FX. Visual effects superviso...
October 8, 2015, 04:32 AM
https://www.aotg.com/izotope-rx-post-suite-12-loudness-management/
RX 5 Advanced Audio Editor, RX Final Mix, Insight and RX Loudness Control come together in the powerful iZotope Post Production Suite. Together, they offer audio post professionals a comprehensive set of tools to mitigate all kinds of audio problems. In this course, you learn how to quickly fix plosives, minimize breaths, match ambiences, spectrally edit out unwanted sounds and much more.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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