To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

iZotope Releases RX Post Production Suite and RX 5

October 7, 2015, 12:50 PM

http://soundandpicture.com/2015/10/izotope-release...

Cambridge, MA — iZotope, Inc., a leading audio technology company, today released its RX Post Production Suite. This comprehensive suite of tools is designed specifically to enable post production professionals to better edit, mix, and deliver their audio for film, broadcast, video, and new media. The flagship product in the suite is RX 5 Audio Editor, a significant new update to iZotope’s award-winning RX audio repair platform.

Technology Revealed: Inside the SL-6

October 7, 2015, 12:49 PM

https://www.aotg.com/technology-revealed-inside-the-sl-6/

Bonus video footage of Matt Anderson, CEO of Sound Devices, LLC, explaining the inner workings of the SL-6 powering and wireless system. Get a rare look at the technology behind the 688 accessory.

Graphic Match

October 7, 2015, 09:38 AM

http://www.aotg.com/index.php?page=graphicmatch

The graphic match (or “match cut”) is an extremely powerful transitional device in modern editing. Here, an idea is conveyed within a single assembly – a single cut. This cut’s intention is to skip forward or backward in time while a) maintaining a continuity of action and b) creating a metaphorical link between the images that bookend the cut. It can serve comedic, dramatic, or a purely ideological purpose. Let’s discuss the latter first as it represents the most original use of this ...

Waterline Magazine: Scripting with Realflow

October 7, 2015, 09:31 AM

http://www.waterline.tv/index.html

waterline magazine "Scripting with RealFlow" is free a PDF with almost 100 pages. The introduction to Python teaches you how to work with vectors, use RealFlow's scripting editors, differentiate between variables and data types, and create user interfaces.

Watch This Concept Video for Avengers End Credits

October 7, 2015, 09:31 AM

http://www.thecredits.org/2015/10/watch-this-conce...

As any film lover knows, there’s not a single moment of screen time that wasn’t conceived of and laboriously created by scores of people. This is especially true for end credits, and it’s extra especially true for Marvel films, where extra scenes and crucial information is often embedded. We’ve all seen the shawarma scene in the credits from 2012’s The Avengers. Title sequences and end credits are the first and last thing you see in a film, and they are the artistic playground of an en...

12 Ways to Be a Considerate Moviegoer

October 7, 2015, 09:31 AM

http://filmschoolrejects.com/features/12-ways-to-b...

This year has produced three of the highest-grossing films of all-time (Furious 7, Age of Ultron, Jurassic World) and devoted fans have something fun to watch every week. Yet, even with millions of passionate fans driving those blockbusters to immortality, it has never been a worse time to go see a movie.

Protect Your Project: How to Blur Out Faces and Lo

October 7, 2015, 09:30 AM

http://www.premiumbeat.com/blog/protect-your-proje...

Don't get sued! Protect yourself with these tips for blurring out faces and logos in After Effects.

Quick Tip: Saving Stills in After Effects

October 7, 2015, 09:30 AM

http://www.premiumbeat.com/blog/quick-tip-saving-s...

Need to save a still image out of After Effects? Just follow these quick steps.

Hula Post Production Provides Editing Facilities f

October 7, 2015, 09:29 AM

http://www.btlnews.com/news/hula-post-production-p...

Hula Post recently provided editorial systems, facilities and support to editor Melissa Kent for her work on Paramount Pictures' new drama Captive. Kent spent six months editing the film at Hula's Burbank facility, followed by an additional two weeks on Paramount Pictures lot in Hollywood. Hula provided Avid workstations and storage at both sites. The post Hula Post Production Provides Editing Facilities for Captive appeared first on Below the Line.

Quick Tip: Audio Syncing in Premiere Pro CC

October 7, 2015, 09:29 AM

http://www.premiumbeat.com/blog/quick-tip-audio-sy...

Audio syncing in Premiere Pro CC is an often-overlooked feature, but it can save you a lot of time when editing.

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