To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Colorist Chat: MTO Color’s Mark Todd Osborne

October 16, 2020, 12:50 PM

https://postperspective.com/colorist-chat-mto-colo...

By Randi Altman Colorist Mark Todd Osborne, like many currently working in film and television, was first attracted to the industry after being inspired by the work of Steven Spielberg. It was that inspiration that led him to film school to study directing. That path then led him to post and color grading. Continue reading → October 15, 2020 The post Colorist Chat: MTO Color’s Mark Todd Osborne appeared first on postPerspective.

Coca-Cola Commercial Graded with DaVinci Resolve

October 15, 2020, 02:22 PM

https://www.aotg.com/coca-cola-commercial-graded-with-davinci-resolve/

Blackmagic Design today announced that Malaysia’s colorist Beh Jing Qiang used DaVinci Resolve Studio to grade a new Coca-Cola commercial, which was also shot using Blackmagic URSA Mini Pro 4.6K G2 and Blackmagic RAW.

#blackmagic design#davinci resolve studio#ursa mini pro g2
After Effects Classic Course: 3D Camera Tracking

October 13, 2020, 12:29 PM

https://www.provideocoalition.com/after-effects-cl...

A classic visual effects job is to place a place one planar object (such as a new sign, a video screen, etc.) onto another planar object (such as a wall, a laptop, a cell phone, etc.) while either the camera, the target object, or both are moving. This requires some form of tracking. In the [...]Read More...

Kia Emmy® Spot Uses URSA Mini Pro 12K Cameras

October 12, 2020, 03:21 PM

https://www.aotg.com/kia-emmy-spot-uses-ursa-mini-pro-12k-cameras/

Blackmagic Design announced today that the Kia Motors America spot titled “Emmys® Delivery Training,” created as the introduction to the 72nd Emmy Awards broadcast, was shot entirely with Blackmagic Design cameras, and is one of the first projects shot extensively using the new Blackmagic URSA Mini Pro 12K camera.

#blackmagic design#davinci resolve studio#video assist#pocket cinema camera 4k#pocket cinema camera 6k#ursa mini pro 12k
Solutions to Resolve 6: Clipped Exports – the YU

October 12, 2020, 03:00 PM

https://www.provideocoalition.com/solutions-to-res...

Are you inadvertently clipping your exports from Resolve? I wrote an article about this a while ago, Solutions to Resolve 4: Full data and video levels in DaVinci Resolve – don’t clip your proxies and transcodes. It turns out that this is not the end of the story.

Senior Colorist Rory Gordon Talks SMPTE Paper and

October 10, 2020, 02:12 PM

https://postperspective.com/senior-colorist-rory-g...

Colorist Rory Gordon has always had an interest in photography. In fact, while studying at RIT’s School of Film and Animation she focused on cinematography in addition to imaging and processing/technical courses. It was that overlap of art and science that drew her in. Currently a senior colorist/color theorist at LA’s Arsenal, Continue reading → October 8, 2020 The post Senior Colorist Rory Gordon Talks SMPTE Paper and Lovecraft Country appeared first on postPerspective.

Joining Forces with Cinema Grade

October 10, 2020, 02:12 PM

https://www.creativeimpatience.com/joining-forces-...

Some time has passed since I told you that I’m back in the game. And in the meantime this happened: Cinema Grade for Windows. As you can see, I am again directly involved in reducing your pains in using color grading tools during editing. Take a look at that Kickstarter … see more →

Five Easy Color Correction Tricks in Final Cut Pro

October 10, 2020, 02:12 PM

https://www.fcp.co/final-cut-pro/tutorials/2316-fi...

Color correction plug-ins are certainly fun to use, but Final Cut Pro X has plenty of horsepower on its own. There are also a number of features and techniques that often get overlooked. Here are five simple tricks you can use to enhance the look of your videos.

Color Finale Connect – Remote Grading for FCPX

October 10, 2020, 02:11 PM

https://digitalfilms.wordpress.com/2020/10/09/colo...

Remote workflows didn’t start with COVID, but that certainly drove the need home for many. While editing collaboration at a distance can be a challenge, it’s a far simpler prospect than remote color grading. That’s often a very interactive process that happens on premises between a colorist and a client, director, or cinematographer. Established high-end […]

HBO’s Huracán Shot with URSA Mini Pro 4.6K

October 8, 2020, 03:14 PM

https://www.aotg.com/hbos-huracan-shot-with-ursa-mini-pro-4-6k/

Blackmagic Design today announced that the new psychological thriller “Huracán” was shot using a Blackmagic URSA Mini Pro 4.6K digital film camera. Premiering this month on HBO and available to stream on HBO Max, the film was also graded with DaVinci Resolve Studio.

#blackmagic design#davinci resolve studio#ursa mini pro
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