It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 29, 2015, 01:38 PM
http://postperspective.com/tips-bcpcs-best-practic...
By Chelsea Taylor A couple of years ago I was in an edit putting the finishing touches on the first episode of a short web series with the producer. While we were waiting for it to export we went discussed the problems we ran into so she could adjust for her next shoot. My suggestions? “Next time get more b-roll of the location, don’t let the talent ramble off topic and watch their eye line after a response.” The producer made these small adjustments and saw the difference it made i...
September 29, 2015, 01:37 PM
http://www.provideocoalition.com/ideal-storage-for...
September 29, 2015, 01:37 PM
http://www.philiphodgetts.com/2015/09/intelligent-...
All our apps - both Intelligent Assistance and Lumberjack System - are ready for El Capitan
September 29, 2015, 01:37 PM
http://www.avidblogs.com/sibelius-8-0-1-now-availa...
The article Sibelius 8.0.1 Now Available With Over 100 Improvements by Sam Butler appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
September 29, 2015, 01:37 PM
http://www.provideocoalition.com/revealing-the-nex...
At IBC 2015, Adobe revealed some exciting new changes to our video products upcoming updates to the CC 2015 professional video and audio applications, including what's coming in After Effects, due for release later this year.
September 29, 2015, 01:37 PM
http://www.broadcastbeat.com/dpa-microphones-suits...
LOS ANGELES, SEPTEMBER 29, 2015 — Sometimes a microphone’s versatility is just as important as the sound quality, especially on a movie set where anything can happen. In order to capture the dialogue of the upcoming Warner Bros. film, The Accountant, freelance production sound mixer Whit Norris, CAS, decided to plant a variety of DPA […]
September 29, 2015, 01:37 PM
http://www.avidblogs.com/inside-eleven-sounds-bran...
The article Inside Eleven Sound’s Brand New Audio Post Mixing Suites Featuring S6 and HDX by Tom Graham appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
September 29, 2015, 01:36 PM
https://www.aotg.com/5-secret-tips-for-getting-hollywood-level-chroma-k/
Matthew Rosen explains 5 of his tricks and secrets on shooting and compositing chroma keys.
September 29, 2015, 01:36 PM
http://www.cgmeetup.net/home/avengers-age-of-ultro...
Chris Olsen – A selection of some of the shots I put together for Marvel’s Age of Ultron.
September 29, 2015, 01:36 PM
http://www.creativeplanetnetwork.com/news/post/tec...
Postproduction for Show Me a Hero, a six-part drama for HBO, was completed at Technicolor PostWorks New York. Set in 1980s Yonkers, New York, the show centers on conflicts among elected officials, bureaucrats and citizens over federal court-ordered construction of low-income housing. Both dailies processing and final color grading were performed by senior colorist Sam Daley. During preproduction, Daley worked with cinematographer Andrij Parekh in preparing color LUTs as an aid in setting looks o...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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