It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 25, 2021, 08:49 AM
https://www.provideocoalition.com/review-maono-pm5...
Here is my detailed review of the new Maono PM500 large-diaphragm condenser studio microphone. I tested it with the PM500’s own shockmount, its own pop filter together with the Shure A7WS windscreen/excessive breathing filter. I am privileged to be among few tech journalists to receive the PM500 before its upcoming official release. This microphone has a single XLR output and requires 48-volts phantom power.
May 25, 2021, 08:49 AM
https://www.awn.com/news/mpc-episodic-adds-vfx-tea...
May 25, 2021, 08:49 AM
https://beforesandafters.com/2021/05/25/behind-the...
BEHIND THE VFX ON ‘SHADOW AND BONE’
May 25, 2021, 08:49 AM
https://www.4kshooters.net/2021/05/25/100tb-storag...
One of the unexpected costs of video production is storage. When you start shooting high bitrate or Raw video at 4K resolution or higher you’ll notice you quickly start to eat away at all the free space on your hard drives. Even a sizable NAS or RAID array (like 24TB and more even) will diminish faster than you would like.
May 25, 2021, 08:49 AM
https://www.artofvfx.com/shadow-and-bone-vfx-break...
Let’s take a look at the various visual effects of the Netflix fantasy series, Shadow and Bone, in this VFX Breakdown...
May 25, 2021, 08:49 AM
https://www.allanmckay.com/300/
Michael Janda is an executive level creative leader with more than 20 years of experience in both in-house creative departments and agencies working with some of the greatest brands in the world. In 2002, he founded the creative agency Riser, a nationally recognized agency creating high-profile work for clients including Disney, Google, ABC, Fox, Warner Bros., NBC, TV Guide and numerous other notable companies.
May 24, 2021, 06:52 PM
https://theasc.com/news/asc-re-elects-president-st...
The Board of Governors of the American Society of Cinematographers (ASC) has voted on the organization’s 2021-2022 officers and Stephen Lighthill has been re-elected president. He will serve his next one-year term alongside Vice Presidents Amy Vincent, Steven Fierberg and John Simmons; Treasurer Steven Poster; Secretary Gregg Heschong; and Sergeant-at-Arms Jim Denault.
May 24, 2021, 12:10 PM
https://www.artofvfx.com/godzilla-vs-kong-john-dj-...
Last April, John « DJ » DesJardin explained the visual effects work on Zack Snyder’s Justice League. He comes back today to talk about an impressive clash of the titans with Godzilla vs Kong.
May 24, 2021, 10:00 AM
https://www.blackmagicdesign.com/media/release/202...
Blackmagic Design announced today that the short film “Sisters,” which had its premiere at this year’s South By Southwest Film Festival, was shot on the Blackmagic Pocket Cinema Camera 4K in Blackmagic RAW, and graded in DaVinci Resolve Studio.
#blackmagic design#davinci resolve studio#blackmagic raw#pocket cinema camera 4kMay 23, 2021, 11:48 AM
https://moviemaker.com/q-amp-a-with-planet-of-the-...
Editor Chris Lebenzon got his start in motion pictures in the late 1970s, when he started fooling around on the KEM machine that his roommate, Michael Wadleigh, had used to cut Woodstock. Though he worked steadily on a number of small independent films at that time (most of which still have never been seen by audiences), Lebenzon’s first big break came when editor Richard Chew brought him on board as an assistant editor on Wadleigh’s Wolfen in 1981.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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