It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 13, 2018, 06:19 AM
http://www.artofvfx.com/fantastic-beasts-and-where...
Let’s go back in 2016 with the VFX Breakdown by Double Negative about their work on FANTASTIC BEASTS AND WHERE TO FIND THEM...
February 12, 2018, 06:06 PM
http://www.studiodaily.com/2018/02/reel-fx-launche...
The commercial division of Reel FX is rebranding as ATK PLN, bringing on board Shilo founder Jose Sebastian Gomez and former Digital Domain production head Jim Riche. Reel FX GM David Bates will lead overall strategy as managing director, while Gomez will lead the creative vision and Riche will be executive producer. The team will work […] The post Reel FX Launches ATK PLN Commercial Division with Shilo Founder Jose Sebastian Gomez appeared first on Studio Daily.
February 12, 2018, 06:06 PM
https://www.aotg.com/apple-final-cut-pro-x-3d-text-effects/
We use text to explain something to an audience that they can’t easily get any other way. However, just because it’s text doesn’t mean it can’t look arresting. Animated, interesting-looking text is increasingly important – especially for social media. In this session, you’ll learn new tech...
February 12, 2018, 12:46 PM
http://www.postmagazine.com/Press-Center/Daily-New...
ADELAIDE, SOUTH AUSTRALIA — Rising Sun Pictures’ RSP Education Program has partnered with the University of South Australia to give students an opportunity to learn the craft of visual effects from working professionals in a real-world production environment. The independent studio (rsp.com.au) created visual effects for five internationally-released feature films last year, including Marvel’s Thor: Ragnarok. The highly-anticipated Tomb Raider is among its current work.
February 12, 2018, 04:23 AM
http://www.btlnews.com/featured/ves-awards-show-fe...
Visual Effects Society Awards Show – February 13, 2018 The 16th Annual VES Awards show is taking place at the Beverly Hilton Hotel in Los Angeles, California. This awards show recognizes and honors the most outstanding visual effects work of the year and honors the artists who created them. The Reception is at 5:30pm and the […] The post VES Awards Show Feb. 13th appeared first on Below the Line.
February 10, 2018, 07:27 PM
http://www.artofvfx.com/raabta-vfx-breakdown-by-pr...
Prime Focus have released this VFX Breakdown about their work on RAABTA...
February 9, 2018, 05:42 PM
https://www.awn.com/news/arri-trixter-join-forces-...
MUNICH -- ARRI Media and Trixter have agreed on a strategic and operational collaboration in the fields of VFX and animation.
February 9, 2018, 01:42 PM
http://www.studiodaily.com/2018/02/vfx-better-brig...
The Orville presents a marked departure from creator Seth McFarlane’s usual fare. While never short on his trademark irreverent humor, this starship-based series set in the 25th century is surprisingly earnest in its presentation of a better and brighter future. The series has also not shied away from difficult contemporary subject matters presented in a sci-fi […] The post VFX for a Better, Brighter Future in Fox’s The Orville appeared first on Studio Daily.
February 8, 2018, 11:54 AM
http://www.artofvfx.com/i-tonya-juliet-tierney-vfx...
Juliet Tierney has been working in production since 1996. She has worked for many agencies and studios such as McCann-Erickson, Mother or MPC. She joined Eight VFX in 2016.
February 7, 2018, 12:55 PM
https://www.youtube.com/watch?v=EWMgomMQdUk&t=2s
In which I take a look at Adobe PaintCan which fools everyone I know into thinking I have an ounce of artistic capability. I wish I was Bob Ross.
#adobe#creative cloud#rob ashe#paint#paintcan
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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