It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 19, 2015, 06:29 AM
http://animationguildblog.blogspot.ca/2015/09/this...
This Month In Animation History... Also a few other things, as related by Mr. Tom Sito.
September 19, 2015, 06:28 AM
http://www.vox.com/2015/9/18/9348821/photography-r...
For decades, the color film available to consumers was built for white people. The chemicals coating the film simply weren't adequate to capture a diversity of darker skin tones. And the photo labs established in the 1940s and 50s even used an image of a white woman, called a Shirley card, to calibrate the colors for printing...
September 19, 2015, 06:28 AM
http://cgvilla.com/2015/09/19/how-to-texture-a-hea...
Learn how to quickly create a photorealistic head in 3ds Max in Mike Bauer’s great video tutorial...
September 18, 2015, 05:49 PM
http://www.indiewire.com/article/what-does-an-edit...
Here's an exclusive excerpt from Goldman's new book, "How to Avoid the Cutting Room Floor: An Editor's Advice for On-Camera Actors."
September 18, 2015, 05:36 PM
http://saeditores.org/Novedades/Miguel-Perez-SAE-o...
El pasado 4 de septiembre, en el marco del Mercado de Industrias Culturales Argentinas, MICA, la SAE organizó la charla Herramientas de montaje a cargo de Miguel Pérez (SAE).
September 18, 2015, 05:35 PM
http://www.redsharknews.com/technology/item/2899-t...
Technology can make cameras easier to use. But what does this mean for professionals? Is it still art if your camera does almost everything for you? technologyArtcameraUser InterfaceAutomationmacrofunction
September 18, 2015, 05:35 PM
http://www.creativeimpatience.com/ibc-2015-highlig...
Visiting the city of Amsterdam and attending the largest broadcast and film-related trade show in Europe somehow became for me my personal New Year. The fact that it coincides with the end of the holidays certainly helps in this regard. This year’s IBC seemed a bit smaller than the previous … see more →
September 18, 2015, 05:35 PM
https://www.aotg.com/green-screens-as-fast-as-possible/
How does the humble green screen make all kinds of movie magic possible, and why the heck is it green, anyway?
September 18, 2015, 05:35 PM
http://cgvilla.com/2015/09/18/zbrush-fiber-mesh-to...
Some times you may have to divide your fibermesh to more parts. Setting up multiple hair modifiers is a very time consuming process in 3dsmax. Reza Asaie wrote a script that can speed up this process. Also you can Change all your hair modifiers setting at same time. We hope it will be useful
September 18, 2015, 05:35 PM
https://www.aotg.com/cinema-4d-tutorial-create-a-3d-3d-text-scene/
More @ ratemyfuneral.com - In this tutorial we will take a look at building a 3D text scene containing some 3D 3D text. The original image was submitted by Andy on the tutorial for Recreating a Piece of Art. We will look at some basics of creating 3D text. Beveling, extruding, splines, lighting with Infidio Pro, a bit of basic physics. All sorts. Its a veritable feast of random Cinema 4D techniques.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.