To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Maxon gets creative with Cinema 4D

September 15, 2015, 05:00 AM

http://www.redsharknews.com/post/item/2893-maxon-g...

Maxon has launched Cinema 4D R17, the latest version of its evergreen 3D modelling, animation and rendering tool. MaxonCinema 4DVFX3D modelling

Create Sprite Sheets with Mixamo and Maya

September 15, 2015, 05:00 AM

http://www.cgmeetup.net/home/create-sprite-sheets-...

Tim Ash – Create Sprite Sheets with Mixamo and Maya.

CGI VFX Breakdowns Game of Thrones

September 15, 2015, 04:59 AM

https://www.aotg.com/cgi-vfx-breakdowns-game-of-thrones/

Rhythm & Hues Studios: Game of Thrones Season 5, Episode 9, The Dance of Dragons Vfx Breakdown (Part 03) The Great Fighting Pit by Rhythm & Hues

Review: Meyer Sound LEOPARD

September 15, 2015, 04:59 AM

http://www.audiomediainternational.com/installatio...

It seems like the time between hearing about a new piece of gear and actually being able to use it is getting shorter and shorter; new products and innovations are making the journey from announcement to available quicker than ever. So I was quite pleased when I had the opportunity to mix a show at the Montreux Jazz Festival in Switzerland on the brand new Meyer Sound LEOPARD compact line array loudspeaker.

How To Design Supreme Sci-Fi Weapon Sound Effects

September 15, 2015, 04:59 AM

http://www.asoundeffect.com/supreme-scifi-weapon-s...

How do you create awe-inspiring sci-fi weapon sound effects? That’s something sound designers Ruslan Nesteruk and Gleb Bondarenko have spent countless hours researching, recording and experimenting to discover – for their game audio work, and for their recent sci-fi weapon SFX library, Lethal Energies.

Film emulation vs. colour grading

September 15, 2015, 04:59 AM

http://photo.it-enquirer.com/2015/09/film-emulatio...

Colour grading is making sure your footage has the right white balance, the correct exposure and colour balance throughout. Film emulation belongs to the advanced form of colour grading: suggesting a time of day and/or a mood, an atmosphere. You start with the correction process, then move on to the creation of a mood. For Final Cut Pro X, you have two plug-ins that help with setting the mood, but that do not pretend to be colour grading tools. One is potentially faster to work with than the oth...

Grass Valley Selects intoPIX’s TICO Compression

September 15, 2015, 04:51 AM

http://www.intopix.com/news/index/readmore/id/96/l...

BELGIUM, Mont-Saint-Guibert, September 10, 2015 — intoPIX today announced Grass Valley, a Belden Brand, has succesfully integrated intoPIX TICO lightweight compression into a suite of its live production solutions providing support for 4K 1-wire transmission. The TICO 4:1 visually lossless compression from intoPIX carries a high-quality signal across a single wire, which eases the broadcast transition towards IP and 4K/UHD while simplifying connectivity.

TICO Alliance Moves Forward

September 15, 2015, 04:03 AM

http://www.intopix.com/news/index/readmore/id/94/l...

TICO Alliance Moves Forward With SMPTE For Transporting UHD-4K Over IP And SDI, Adds New Members And Shows Live 4K Demos At IBC 2015. The rapidly growing membership reflects the importance of TICO® to ease the move to 4K and IP within Broadcast Production facilities.

After Effects Hidden Gems Weekly: Wiggle Paths

September 14, 2015, 04:42 PM

http://www.provideocoalition.com/after-effects-hid...

One of the features we miss the most in the old, discontinued Vector Paint effect for After Effects is the ability to automatically wiggle our strokes. Fortunately, you can recreate this look using a combination of stroked shape layers and the Wiggle Paths operator:

Show, Don’t Tell: Contemporary Storytelling for

September 14, 2015, 04:42 PM

http://blogs.adobe.com/adobeingovernment/show-dont...

By Jerry Silverman We change. The way we learn, the way we work, and the way we communicate—these things are all in flux. But one thing never changes. People always like a good story. Today, we’re seeing a move away from dense text documents and lengthy spreadsheets. We’re seeking ways to communicate with people that take advantage of the technologies everyone has at their disposal, like responsive websites, faster browsers, and broader bandwidth. At the same time, we want to produce...

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