To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Video Tutorial: How to Create Annihilation-Inspire

February 1, 2018, 08:09 AM

https://www.premiumbeat.com/blog/create-annihilati...

In this video tutorial, learn how to use some free RocketStock assets and Adobe After Effects to create Annihilation-inspired VFX.

'I, Tonya' VFX Breakdown, 'Star Wars: Episode 9' O

February 1, 2018, 08:08 AM

http://www.slashfilm.com/the-morning-watch-i-tonya...

The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.

American Gods - VFX Breakdown

February 1, 2018, 08:08 AM

http://www.cgmeetup.net/home/american-gods-vfx-bre...

EDI presents American Gods – VFX Breakdown

Quick Chat: ArsenalCreative’s new VFX supervisor

January 31, 2018, 05:12 PM

http://postperspective.com/quick-chat-arsenalcreat...

VFX supervisor Mike Wynd has joined ArsenalCreative from MPC, where he spent eight years in a similar role. Over the years, Wynd has worked on many high-profile projects for directors such as Rupert Sanders, Noam Murro and Adam Berg. He has also won a number of industry awards, Continue reading → January 31, 2018 The post Quick Chat: ArsenalCreative’s new VFX supervisor Mike Wynd appeared first on Randi Altman's postPerspective.

VFX supervisor Lesley Robson-Foster on Amazon’s

January 31, 2018, 05:12 PM

http://postperspective.com/vfx-supervisor-lesley-r...

By Randi Altman If you are one of the many who tend to binge-watch streaming shows, you’ve likely already enjoyed Amazon’s The Marvelous Mrs. Maisel. This new comedy focuses on a young wife and mother living in New York City in 1958, when men worked and women tended to, Continue reading → January 31, 2018 The post VFX supervisor Lesley Robson-Foster on Amazon’s Mrs. Maisel appeared first on Randi Altman's postPerspective.

BABYLON BERLIN: Robert Pinnow - VFX Supervisor

January 31, 2018, 10:15 AM

http://www.artofvfx.com/babylon-berlin-robert-pinn...

Robert Pinnow has been working in visual effects for almost 20 years. He founded RISE in 2007 with Florian Gellinger, Sven Pannicke and Markus Degen. He has worked on many films such as NINJA ASSASSIN, CLOUD ATLAS, CAPTAIN AMERICA: THE WINTER SOLDIER and THE MAN FROM U.N.C.L.E.

It’s Time for Stunt Work to be Recognized by The

January 30, 2018, 01:55 PM

http://filmmakermagazine.com/104734-its-time-for-s...

I’m fortunate to work in action and with stunts, behind the camera. The stunt community is comprised of all kinds of talent — drivers, motorcycle riders, gymnasts, fighters, parkour, Cirque du Soleil acrobats and much more. They are the best of the best! I’ve been even more fortunate to train and work with the best stunt coordinators, innovators, riggers and performers in Hollywood.

SUBURBICON: VFX Breakdown by Goodbye Kansas Studio

January 30, 2018, 06:27 AM

http://www.artofvfx.com/suburbicon-vfx-breakdown-b...

Check out the invisible work of Goodbye Kansas Studios for SUBURBICON...

Eps. 125 - Chris Do - Founder of Blind

January 30, 2018, 06:25 AM

http://www.allanmckay.com/125/

This is Allan McKay. Welcome to Episode 125! I’m speaking with Chris Do, the Founder of Blind, a design and branding firm in Santa Monica, CA. I’m really excited about this one! Chris is a massive influencer in design, as well as a really insightful guy. I’m sure you’ve seen the work that Blind puts out for Xbox, Riot Games, A&E and so many other places!

90th Oscars: The Visual Effects Nominees

January 26, 2018, 04:23 AM

https://www.awn.com/vfxworld/road-90th-oscars-visu...

Each year, here at Animation World Network, awards season marks the period on our calendar when we recognize and honor some of our industry’s most talented, dedicated and ground-breaking studios and artists responsible for the spectacular and breathtaking visuals created for feature films enjoyed around the world.

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