To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Editing Drunk History

September 3, 2015, 11:39 AM

http://www.aotg.com/index.php?page=cuttingroom_174

Gordon sits down with Jody McVeigh-Schultz, James Atkinson, Charles Breiner, and Aaron Morris to discuss the process behind cutting Comedy Central's Drunk History.

How to Downscaling 4K to 1080 in FCPX and PP

September 3, 2015, 09:18 AM

https://www.aotg.com/how-to-downscaling-4k-to-1080-in-fcpx-and-pp/

I get asked about downscaling 4K to 1080 from viewers quite a lot. In today’s video I’ll talk about why I downscale 4K to 1080 and show you how to do it in FCPX and Premiere.

Sony Denies Editing Will Smith Film to Please NFL

September 3, 2015, 09:18 AM

http://www.kmbz.com/pages/21927518.php?

Sony(LOS ANGELES) -- Sony Pictures says reports that it "softened" the upcoming film Concussion starring Will Smith to satisfy the NFL are incorrect.

Learn from the Pros: Reverse Engineer an After Eff

September 3, 2015, 09:17 AM

http://www.premiumbeat.com/blog/learn-from-the-pro...

If you're looking to improve your After Effects abilities, an easy way to learn is to break down an After Effects Template.

Layer Stalker Can Easily Track Layer Positions in

September 3, 2015, 09:17 AM

http://lesterbanks.com/2015/09/layer-stalker-can-e...

New After Effects tool, Layer Stalker can track any spatial attribute to the position of any layer in the same comp, or in any comp nested within it. The Post Layer Stalker Can Easily Track Layer Positions in Nested Comps originally appeared and published on %%BLOGLINK%,by lesterbanks

Autodesk to End All Perpetual Licensing in July 20

September 3, 2015, 09:17 AM

http://www.studiodaily.com/2015/09/autodesk-end-pe...

All Autodesk software, including suites as well as standalone products, will be available only on a subscription basis beginning August 1, 2016, company officials said today. The announcement follows the company's already specified January 31, 2016, deadline for ending perpetual licensing … more » The post Autodesk to End All Perpetual Licensing in July 2016 appeared first on Studio Daily.

Top 5 Mythbusters for Cloud Collaboration Solution

September 3, 2015, 09:16 AM

http://aframe.com/blog/2015/09/top-5-mythbusters-f...

As more companies turn to the cloud as a way to streamline workflows and cut costs, every vendor seems to offer some type of cloud solution. The benefits, enabling teams to collaborate across geographies and time zones and making media centrally accessible, can transform workflows. But like any big industry shift, innovations are happening as... Read More

Bullet Time in Real Time

September 3, 2015, 09:16 AM

http://blogs.adobe.com/conversations/2015/09/bulle...

The Wachowski Brothers popularized the camera array effect known as ‘bullet time’ in their 1999 film The Matrix. Creating the visual effect — where time appears to freeze as the audience’s point of view moves around the subject in real time — has traditionally required an array of expensive, high speed cameras all programmed to capture the scene at exactly the right moment. It’s a complexity that has kept the effect out of the hands of the average videographer… until now. Exam...

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