To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

FSI DM250 OLED and Pomfort Live Grade Pro Integrat

September 3, 2015, 09:15 AM

https://www.aotg.com/fsi-dm250-oled-and-pomfort-live-grade-pro-integrat/

Use Pomfort Live Grade Pro and Air Grade and the Flanders Scientific DM250 OLED with CFE3 for real-time LUT updates over IP for quick and easy look preview and distribution in production environments without the need for a standalone LUT box.

Screen Scene VFX Showreel 2015

September 3, 2015, 09:15 AM

http://www.cgmeetup.net/home/screen-scene-vfx-show...

Screen Scene an Ireland’s leading Post Production Company. Based in the heart of Dublin, working with some of the best in the business and winning more than our fair share of awards along the way.

ENTRE AMIS: VFX Breakdown

September 3, 2015, 09:15 AM

http://www.artofvfx.com/?p=13187

Really nice water simulations work by CGEV in this VFX breakdown for ENTRE AMIS...

Maya at SIGGRAPH 2015: Catching up with Image Engi

September 3, 2015, 09:14 AM

https://www.aotg.com/maya-at-siggraph-2015-catching-up-with-image-engi/

We caught up with Yuta Shimizu, Lighting Supervisor at Image Engine, to find out what he was excited about at SIGGRAPH this year, hear about some of his challenges on Jurassic World, and how the daily challenges of the VFX industry are what keep him motivated.

VFX Behind The Scenes - AD Sports TV Idents

September 3, 2015, 09:14 AM

https://www.aotg.com/vfx-behind-the-scenes-ad-sports-tv-idents/

Check out this very interesting and insightful behind the scenes showing how the talented team at Frame crafted the live action HDR & "Hyper-Real" look for their AD Sports TV Idents!

VIEW Conference 2015: ILM and Imageworks

September 3, 2015, 09:14 AM

http://www.artofvfx.com/?p=13190

Excellent news! VIEW Conference will welcome more great VFX speakers!

Editing the Big Bang Theory: An Editor's Chat wit

September 3, 2015, 04:42 AM

http://tracking.feedpress.it/link/9766/1704254

How do you edit with a bang? To find out, we turned to the award winning video editor, Peter Chakos, for answers. Chakos acts as both editor and producer for the Emmy-winning comedy series, The Big Bang Theory. In 2007, he was awarded an Emmy for Outstanding Multi-Camera Picture Editing for a Comedy Series for his work on the show.

Art of the Cut with Eddie Hamilton of Mission: Imp

September 3, 2015, 04:42 AM

http://www.provideocoalition.com/art-of-the-cut-wi...

Eddie Hamilton's list of credits is envious, starting with feature film editing credits in 1998 and kicking into high gear with 2010 with the Kick-Ass movies, X-Men: First Class, The Loft, Kingsman: The Secret Service, and now Mission: Impossible - Rogue Nation. Eddie didn't even study film in school, but knew that this was his dream and his goal and did everything he could to work his way up from post house runner to film editor by soaking up knowledge like a sponge, contesting conv...

News: The Evocative Aves

September 3, 2015, 04:42 AM

http://designingsound.org/2015/09/news-the-evocati...

The month of favorites may be over, but for me, the chi […]

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